Watch: SAG Conversations with Bill Pullman
While the talk primarily focuses on The Sinner, actor Bill Pullman delves into his career that will soon be entering its fifth decade.
Interview: Miles Robbins on ‘Daniel Isn’t Real’ and How He Prepares for an Audition
Miles Robbins chats about his role in Daniel Isn’t Real, how he prepared and what he does to get ready for an audition.
Bryan Cranston on Playing Walter White Again: “I immediately popped back into that character”
Bryan Cranston spoke about his return to Walter White, his signature character, and how he got back into the role for El Camino.
Interview: Javicia Leslie Talks ‘God Friended Me’, Moving to L.A. and Self-Tape Auditions
Javicia Keslie chats about God Friended Me, her journey from web-series to series regular and why self-tape auditions are the worst.
Rachel Skarsten on Playing a Supervillain Alice on ‘Batwoman’: “It’s so fun to be bad”
Rachel Skarsten spoke about the intriguing possibilities for her character and explained how that informs her portrayal of Alice in the CW’s Batwoman
Movie Review: Clint Eastwood’s ‘Richard Jewell’
Hauser is absolutely brilliant as Jewell. It’s an understated performance. If he doesn’t get an Oscar nomination it’ll be a crime.
Ruth Wilson on the Challenges of Auditioning Early in Her Career
Actress Ruth Wilson spoke about her early days as an actress and how much of a challenge auditions were for her.
Robin Williams on How He Found His Characters
Robin Williams shared one of his thoughts on finding the right starting point for playing a character.
Interview: Michelle Danner on Her New Film, Finding Representation and Things Actors Can Do to Advance Their Careers
Michelle Danner on her new film, her acting school, and gives advice on finding representation and the best things actors can do to help their career.
Movie Review: Noah Baumbach’s ‘Marriage Story’
Adam Driver and Scarlett Johansson are perfect. Their performances are nuanced and genuine.
Movie Review: ‘It’s a Beautiful Day in the Neighborhood’ Starring Tom Hanks
There seems to be plenty of stories out there that might have made a better film about his life. But, this is the only one we get, then Tom Hanks as Fred Rogers is a mighty fine way to prolong his legacy.
Jon Bernthal on Why He Thinks Motion-Capture Acting is Like Doing Theater
Jon Bernthal talks about both the challenges of mo-cap acting for a video game, but also compares it to acting on stage in front of an audience.
Robert Pattinson on ‘The Lighthouse’ and Why It Was Liberating to Play a “Mad” Character
Robert Pattinson spoke about how The Lighthouse’s rehearsal process caught him off-guard, but admitted it was liberating to play a “mad” character.
Alan Ruck on His Role in ‘Succession’: “I’ve been waiting for 30 years for a show like this”
Alan Ruck reveals that not only did he have to audition for HBO’s Succession, but he nearly missed out on the opportunity because of family obligations.
Movie Review: Martin Scorsese’s ‘The Irishman’
It’s a shame it took this long for these talents to finally work together but the film is a masterpiece and proves, once again, why Scorsese is a truly one of the best directors we have.
Documentary Review: ‘Leonard Soloway’s Broadway’
Oh, what a life Leonard Soloway has lived. The legendary producer, who is now 90 years old, has had a career that’s spanned seven decades.
Willem Dafoe on the Pleasure of Acting and Why He Hates the Expression, “Nailing It”
Actor Willem Dafoe talks about about the “pleasure” he receives from performing and how he feels it even when his roles take him to different places.
Documentary Review: ‘Somewhere in the Middle’
The film doesn’t break any new ground, it’s basically speaking to the choir. But that’s not a bad thing at all.
Interview: Giancarlo Esposito on ‘Creepshow’ and How He Transforms When He Puts on His Character’s Wardrobe
Giancarlo Esposito chats about Creepshow, how he loved the “guerrilla” style filmmaking of the show and loving his turn in the horror-genre!
Interview: William Fichtner on His Directorial Debut, ‘Cold Brook’, Learning Curves and His Worst Audition Ever
William Fichtner talks about Cold Brook, his biggest learning curve as a director, working with the cast and his worst audition ever.