movie reviews

Keaton is still a whirling dervish, saying and acting out every impulse, still tossing out those one liners, left and right. 

The plot is ridiculous but fun and the chemistry between Gosling and Blunt is undeniable.

In the sequel, we’re back to familiar territory of New York City and even better, the original cast is back with much bigger roles.

Any film that has the brilliant actor Stephen McKinley Henderson in it is tops in my book. 

You would think pairing director Scott and Phoenix in a film about Napoleon would be a sure-fire bullseye.

The film is a quick and zippy ride that you and your family will absolutely get a kick out of.

The Marvels is wacky, doesn’t take itself too seriously and comes in at a brisk 100 minutes. And it’s loads of fun.

Lily Gladstone is the heart and soul of the movie. She’s got such a soulful and expressive face. As members of her family die one by one of mysterious circumstances, that soul behind her eyes slowly diminishes. Her performance is incredible.

Written by Aaron Jackson and Josh Sharp and directed by Larry Charles, Dicks the Musical can best be described as The Parent Trap as if it was filtered through John Waters’ brain. 

I love how each of these films help to teach children one specific thing and not bombard them with dozens of themes and ideas like some other animated films.

The short film follows two gunmen, Ethan Hawke and Pedro Pascal, former friends and lovers who reunite after several years apart.

A funny Us vs Them story that’s maddeningly frustrating with how the Them’s never really get into trouble because of the tilted scales of justice.

I’m curious to see where things go with this Flash, especially with Miller’s troubles but if you’re looking to check it out, just sit back and enjoy the ride… or run.

The Guardians are a family. It’s about friendship – always has been – and finding acceptance and love, even when you’re not looking for it.

Jonathan Majors is freaking fierce. He’s got this calm, quiet rage that just feels like it wants to erupt.

Florence Pugh is, as usual, great. She’s the rock here, grounding the whole film in reality.

What Fletch has going for it is the performances, especially Hamm’s and Annie Mumolo’s, who plays his certifiably crazy neighbor, Eve.

The real fun was watching Goldblum, Dern and Sam Neill’s characters together. As summer movies go, you can do worse.

Jazzfest: A New Orleans Story brings that energy and revelry you experience at the festival and showcases it in the theater.