Interviews with actors, casting directors, directors, screenwriters and more!
Actor Beulah Koale talks about Dual, Hawaii-Five-0 and how he got cast in Thank You for Your Service while still living in New Zealand.
Casting Director Rachel Tenner talks Severance, Ben Stiller, what makes a memorable audition and what she likes to see on a demo reel.
Julia Crockett on the role of a movement coach, how she helps actors with characters and what you can expect from one of her classes.
Actor Chad Coleman talks about his podcast, how he got started in acting, his career, creating a role and bad auditions.
Clarke Peters talks about his role in AMC+’s La Fortuna, the importance of listening and being “in the moment”, and his worst audition ever.
Casting Directors Corinne Clark and Jennifer Page on Schmigadoon!, Zoom auditions, and self-tape advice that every actor should check out.
Sharon Bialy and Sherry Thomas talk about casting, their thoughts and advice on self-tapes and much more!
Clifton Collins Jr. and Molly Parker chat about the film, researching their roles and their worst auditions.
JOCKEY Filmmakers Clint Bentley and Greg Kwedar on Clifton Collins Jr., and how they came up with the memorable last shot of the film.
James Cullen Bressack chats about his new film, FORTRESS, working with Bruce Willis and what he thinks makes a great self-tape.
Adam Grupper talks about his role as Alfred P. Doolittle in the National Tour of MY FAIR LADY. life as an understudy and his worst audition.
Toneisha Harris on HAIRSPRAY, how she got the part, pre-show rituals and how The Voice changed her life and career!
The best vehicles for actors to showcase their talents is material that they have self-generated. Like JADE & JADED, an award-winning web series about two girls trying to “make it” as health and wellness vloggers.
Taryn Manning talks about the film, her preparation for the role and her career (including how she got her first job as a SAG actor).
Jason Isaacs talks about his role in MASS, his take on ‘active listening’, and how he prepared for that devastating monologue.
Martha Plimpton talks about her role and why she wanted it, working with the cast and why she tries to block out auditions.
Reed Birney chats about MASS, his role (which Kranz wrote specifically for him), the importance of listening, preparation and bad auditions.
They chat about their projects (MADRES & BINGO HELL), acting, bad auditions and breaking into the industry as a Latina.
Stuart Townsend on Jericho Ford, character wardrobe, finding that perfect entrance and his flawless American accent.
