Casting “Fallout”: John Papsidera and Kim Winther on Finding the Right Actors for a Wild, Unique World | Interview
The casting directors behind “Fallout” share how they found the right actors to bring the show’s wild, post-apocalyptic world to life.
The casting directors behind “Fallout” share how they found the right actors to bring the show’s wild, post-apocalyptic world to life.
Tucker talks about what she looks for when casting major roles, and shares valuable insight for actors on how to stand out with self-tapes and demo reels.
Ronane discusses assembling the cast of After the Hunt, her longtime collaboration with Luca Guadagnino, and why discovering new talent is her favorite part of the job.
The casting directors talk about working with Robin Wright, finding the right mix of actors for ‘The Girlfriend’, and the surprising discoveries that can happen during a cast read-through.
Smith discusses the process of casting “Outlander: Blood of My Blood”, finding new actors, and why on-screen chemistry is everything.
Melissa Kostenbauder shares how she helped shape the cast of ‘The Studio’, collaborating with Seth Rogen and Evan Goldberg, and her best advice for actors on self-tapes, slates, and headshots.
The ‘Overcompensating’ casting directors also share what they look for in actors, and their best advice for self-tapes.
The casting directors also talk about finding the right actors for the show’s wildest roles and how great writing helps them discover the perfect fit.
The casting directors also talk about self-tape submissions and being adaptable in auditions.
“Research as much as you can, prior to auditioning. Especially in this age of self-taping… it’s really important to try to get that across on your self-tape.” – Casting Director Leah Daniels-Butler on Auditioning for Historical Dramas.
“What stays with me really is when I feel like I’m in the presence of an artist… that you just realize, “Oh, this person’s really special. There’s something really that I can’t touch, I can’t talk about it, I can’t equate, but I feel it,” Papsidera said.
“You really want actors to do well. We want everyone to come in and do their best and do well and surprise us,” casting director Lucy Bevan said.
Roth talks about the business of voice-overs, voice-over reels and what he’s listening for, what classes you should take and if actors should be worried about AI.
“I miss terribly being in the room with actors. I love that more than anything, but I have seen so many more people, been exposed to so many people I didn’t know, hired people from places that I can’t be.”
Benner and Romano talk about casting Harrison Ford and also get into auditioning actors and what it takes to bring them back again and again.
Casting Director Kim Coleman talks about the puzzle of casting, finding actors to portray real people and self-tape and audition tips!
Casting Director Jill Anthony Thomas on finding actors for LOOT, self-tapes, resumes and the best thing about her job.
Alexa Fogel talks about casting Black Bird, finding actors for smaller roles and what makes a good audition.
“It’s mind-blowing and so exciting…. when somebody walks in the room, and they just show you things that you never would have thought of. And no one does that better than actors.” – Bernie Telsey From movies, TV and theater, the Telsey Office is hands down one of the best
Casting Director Rachel Tenner talks Severance, Ben Stiller, what makes a memorable audition and what she likes to see on a demo reel.