Lance Carter

Founder & Editor | Actor (SAG-AFTRA/AEA)

Lance Carter got his start in the Baltimore/Washington D.C. area doing local theater. He soon became a member of both SAG and Equity and moved to Los Angeles.

Some of his film and TV credits include: That 70's Show, Terriers, Medical Investigation and Gods and Generals, starring Robert Duvall. His regional theater credits include: Harry the Horse in Guys and Dolls (directed by Josh Rhodes) at The Old Globe Theatre, The Legend of Georgia McBride (Cygnet Theatre) and The Producers and the San Diego Musical Theatre.

For more information about Lance, visit his website here!

Broadway Musicals Show by Show Book Review

Book Review: ‘Broadway Musicals, Show-by-Show: Eighth Edition’

The new book, Broadway Musicals: Show By Show, is the most in-depth book on musical theater I’ve ever seen. According to the press release, the book, now in its eighth edition, is Broadway’s most “widely used reference book” and I can definitely see why. Originally written by Stanley Green (this

Katey Sagal Sons of Anarchy Final Season

Q & A: Katey Sagal Talks ‘Sons of Anarchy’, Gemma and More!

If you’re a fan of FX’s Sons of Anarchy, you already know what’s happened with Katey Sagal‘s Gemma. I won’t reveal anything here and thankfully, nothing in the interview below talks about the past couple of episodes. So, if you’re not caught up, don’t worry! In this interview with the

Enron Moxie Theatre

Theater Review: ‘Enron’ at Moxie Theatre in San Diego

Lucy Prebble’s Enron, a satiric dramatization of the rise and fall of the now infamous Texas-based energy company, closed way too early when it ran on Broadway. I can see why. I’d think most people in the city for a night out want to escape reality and not want to

Showrunners review

Documentary Review: ‘Showrunners: The Art of Running a TV Show’

I’ve been at the mercy of showrunners more times than I can count; auditioning for everything from nice guest star roles all the way to tiny one-liners. And every time, a showrunner has been there. To think, that when I’ve auditioned for even the smallest role, that they are there

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