Jen Rudolph from The Actor’s Green Room on the Importance of Working with a Mentor
AGR is designed to help actors find and play to their strengths in this very competitive industry.
AGR is designed to help actors find and play to their strengths in this very competitive industry.
Frankel talks about developing the cast of the series and why authenticity was more important than a well-known actor
“The Good Wife was just a part that I got in college that was just supposed to be a couple of episodes and then they decided to expand the character.” – Sarah Steele
“When I urge actors to go write it, many times I’m greeted by a dumbfounded expression” – Actor Jeremy Frazier
The film is entertaining, especially if you’re a history buff. And, just to relive a brief moment in time, it’s well worth watching.
“When I auditioned, her name was Kathy, because they do these codenames. I didn’t know anything about the film at all” – Brianna Hildebrand on ‘Deadpool’
“All you have to do is find that part of you that has been despicable, and you can find it if you look hard enough” – Richard Dreyfuss on Playing Madoff
Al Pacino stars as aging 1970s rocker Danny Collins, who can’t give up his hard-living ways. But when his manager (Christopher Plummer) uncovers a 40 year-old undelivered letter written to him by John Lennon, he decides to change course and embarks on a heartfelt journey to rediscover his family, find true love and begin a second act.
Gordon-Levitt and Dano speak about the challenges of portraying real-life figures in their work and how they feel about their work as actors.
Ilana Glazer and Abbi Jacobson joke about their success with the series, jumping from a web series to cable television, and how their show is related to popular 1990s sitcoms
Depp talks about getting into Bulger’s head, the cast talks about the difficulty of mastering the Boston accent, and many other details about the filmmaking process.
The Oscar-winning actress speaks about playing Hedda Hopper, working with directors, and her entire career experience in film.
Fassbender and Winslet talk about working with a script by Aaron Sorkin, rehearsing with Boyle, and whether or not Winslet will do Broadway in order to complete her EGOT.
“It’s not enough just to be real; you have to try to make it interesting or entertaining” – Owen Wilson on Acting
“To me, it’s not about comedy or drama or genre, it’s about, where’s the good story?” – John Krasinski
The 68th Annual Writers Guild Awards is happening tomorrow night. The ceremony celebrates the normally relatively little-known writers behind acclaimed films and television programs.
Stockard Channing talks about collaborating with other actors in live theater, disappointment with her early career, and starring in a Broadway show that opened and closed on the same night
No one wants you to succeed more than you do and no one is thinking about the possibility of you playing every role on the breakdowns, except for you.
Harewood reveals how he relates to the character and how he eventually got comfortable playing him.
“Auditions are like a blind date for the casting director and the actor. The audition starts the minute you walk in the room” – Casting Director Bernie Telsey