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Actors on Acting

Over the years, some of the world’s most successful actors have shared their insights and advice on acting and their careers.
In this category, you’ll find articles on actors who share their thoughts on a wide range of acting topics, including:

  • What it means to be an actor
  • Different approaches to acting
  • How to prepare for a role
  • How to work with directors and other actors
  • How to deal with rejection and failure
  • And much more!

Whether you’re just starting out or a working actor, there is something for everyone in this category.

Dominic Cooper’s Dual Roles in ‘Devil’s Double’

Based loosely on a true story, Cooper’s switch from the brutal Uday, and that of Latif, a good guy who gets caught up in the evil world of murder, illegal dealings and more, will be brought to the big screen using new and old tricks of the trade.

Tom Hanks: “A lot of actors are nuts”

“I sought to be creative without being at the mercy of the phone. Most actors have to wait for permission to go out and do their job. And I didn’t want to be a guy who was sitting in Los Angeles waiting for a call.”

Javier Bardem: “When you are portraying somebody that has a very specific emotional weight, you feel like you’re really starting to abandon your own body and go to someplace else”

“When you are portraying somebody that has a very specific emotional weight, you feel like you’re really starting to abandon your own body and go to someplace else. And then when you come back to yourself, people that know you well, they ask, ‘Why did you say that?’ or ‘Why are you doing this?’ or ‘Why are you behaving this way?’ But you don’t realize. Because it’s so unconscious, you don’t have control over it,” he said.

Tom Hanks on “Larry Crowne”, Hollywood Cynicism and Balancing his Roles as Writer, Director and Actor

The biggest challenge was not in the filming process, but in the preceding six-month preparation process. Hanks continued, “That’s when it’s hard to go back and forth between being a director who wants to tell a story with a specific sort of sound and look to it, as opposed to the actor just saying, ‘And what am I going to say here exactly and why am I saying it?…That’s where the battle between being a director and an actor is really fought.”

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