The play comes in at a brisk 70-minutes (no intermission) but honestly it only feels about thirty. It’s so fast yet so moving and funny that you’ll be walking away wishing you could see it again.
Lucy Prebble’s Enron, a satiric dramatization of the rise and fall of the now infamous Texas-based energy company, closed way too early when it ran on Broadway. I can see why. I’d think most people in the city for a night out want to escape reality and not want to
If you put an ex-Muslim lawyer, an African-American lawyer, a Jewish art curator, and a WASP artist who primary works with Islamic themes in her art together at a dinner party, mix with a few cocktails and professional stress, and then bring up religion and politics, well, you can guess
Holler If You Hear Me, the new Broadway musical based on the music of Tupac Shakur, has moments like the rapper himself: raw and electric. And when those moments happen, it’s truly exciting. But unfortunately, there aren’t enough of those moments here. Written by Todd Kreidler and directed by Kenny
There are three types of people: those who’ve never seen The Book of Mormon but really want to; those who’ve seen it; and those who’ve seen it and want to see it again. Actually, there are four: those who never want to see it because it might be too offensive.
Ninety percent of Mud Blue Sky, which opened last week at San Diego’s MOXIE Theatre, is set in a small, almost cramped hotel room near Chicago’s O’Hare airport. But out of that tiny space comes some really terrific performances. The play, which is having its West Coast premiere, was written
In recent years The Seeing Place has been pairing plays by different playwrights with thematic similarities together in repertory. Through hard work and persistence they have been granted the rights to a number of acclaimed plays, and the current productions maintain that high quality of material – Christopher Shinn’s Dying
Moxie Theatre may be small in size, but it certainly does pack a punch. A terrific, wonderful punch.
Elvis, Cash, Perkins and Jerry Lee make for a fun, energetic show!
It’s the production design of this Macbeth, which is somehow both opulent and plain, but altogether unique, that sets this version of ‘Macbeth’ apart.
The Seeing Place made an excellent choice in reviving Sidney Kingsley’s hospital drama ‘Men In White’
If you need just one reason to see this show, Josh Young is that reason
Cloven Tongues runs at The Wild Project (195 East 3rd Street) through November 23.
Grant Neale stars as Polanski during three distinct periods of Polanski’s life
If you’d like to see an animated production of one of the better musicals from last decade, I’d recommend getting your tickets to The Wedding Singer soon.
Brandon Walker’s forte is emotionally conflicted, mentally troubled characters, and if that doesn’t describe Hamlet’s character I don’t know what does.
Billy Elliot the Musical, currently playing in San Diego, features two wonderful performances from Rich Hebert and Mitchell Tobin.
Without mentioning them all individually I have nothing but praise for each actor in the play because this is very much a group effort — each part is significant.
The best way to describe Ann, Holland Taylor’s one-woman show about former governor of Texas Ann Richards that she both wrote and stars in, is what the Hall of Presidents in Disney World would be like if instead of a robotic Barack Obama the host was a Texas-twanged white-haired lady who didn’t care that she was on a stage in the family-friendliest theme park in the world.
When people I know in theater ask me what growing company I think has its act together (horrible pun not intended), The Seeing Place is always the first that comes to mind.
