Viola Davis on Acting: “I think if it’s not costing you anything you’re not doing it right”
Actress Viola Davis talks about the challenges of performing, including how important collaboration is in acting.
Actress Viola Davis talks about the challenges of performing, including how important collaboration is in acting.
Benedict Cumberbatch speaks about the glee of playing a villain and the fun of unleashing his imagination in the world of Dr. Seuss.
Actor Robert De Niro speaks about his past work and why he prefers film to the stage.
Timothée Chalamet speaks about his role in the film, Beautiful Boy, where he plays a drug-addicted teen.
Kellan Lutz talks about his role, working with Travolta and his decision to move to LA and become an actor.
Actor Adam Driver has taken a unique path to the acting profession, here he talks how his journey brought him to acclaim and stardom.
Emily Blunt on the most daunting aspect of the role, director Rob Marshall, and singing songs from the original film.
Schuyler Fisk also talks about her acting career, getting her SAG card and Christmas movies.
Here’s what you need to know about auditioning and marketing strategies to be a successful voice over actor!
Mulligan also talks about figuring things out on set, her worst audition and more!
Director Joel Edgerton initially thought he didn’t need to give Kidman direction, and why she told him that he should.
The two actors talk about acting and their roles in the film.
Reddick talks about the film, playing a psychopath and tells the story of his worst audition!
Malek spoke how playing Mercury “terrified” him at first but later gave him the courage to stand up for his fellow cast members in a difficult situation.
Yeun explains why Burning was unlike anything else he has ever done in his career and why his lengthy stint on The Walking Dead was not as fulfilling as he hoped it would be.
D’Arcy Carden explains why acting is only for people who really want it — and how Upright Citizens Brigade saved her career.
Watch a video of Roberts auditioning in the mid-1980s opposite actor Alan Boyce
Dinklage revealed critical aspects about performing as Hervé and also shares some words of caution about actors who are too obsessed with method acting.
Everett talks getting into character and why playing Wilde in David Hare’s play, The Judas Kiss, served as a great audition piece.
Fillion also talks how the industry has changed since he started acting.