Interview: Jay Chandrasekhar Talks ‘The Babymakers’, His Directing & Acting Career and Making Independent Films
Jay also chats about ‘Super Troopers’, VOD and his advice to actors!
Jay also chats about ‘Super Troopers’, VOD and his advice to actors!
Jodie Foster is best known for her long acting career, but the actress has always seen herself in the director’s chair. But after directing three theatrically films — Little Man Tate, Home for the Holidays, and The Beaver — Foster has been looking at her fellow big-name actors and actresses who have done shows on cable television and believes her future work belongs there.
With the current biggest tabloid story about a director having an extramarital affair with a young Hollywood actress (to which Tom Cruise breathes a sigh of relief for taking the spotlight off his issues), it’s important to note that such behavior isn’t totally unheard of in the long histroy of Hollywood.
It’s becoming increasingly common for actors to write their own film scripts, particularly for smaller, independent projects that actors do in between the big-budget studio films. Add Rashinda Jones to the list, as the former The Office star co-wrote Celeste and Jesse Forever with fellow actor Will McCormack, and the pair also star in the film alongside Andy Samberg. Jones spoke to the Huffington Post about writing the film, the challenges associated with performing a character after creating her, and whether funnyman Samberg was able to handle the film’s serious elements.
Hollywood is not an easy place. Despite dreams and general perceptions of what some consider “overnight success,” there is rarely, if ever, anything comparable to that particular occurrence. Olivia Munn, star of Aaron Sorkin’s new HBO drama, “The Newsroom,” is an actor who has worked long and hard for her recent success, even if her career appears to have blown up “overnight.”
Chris Rock might have seemed like an odd choice to star in Julie Delpy’s indie romantic comedy 2 Days in New York, but that’s only if you haven’t been paying attention to Rock’s recent career. Sure, he might have starred in Pootie Tang years ago, but in the last several years Rock has manged to branch out not only as a writer, director, and producer, but also as an actor.
Online review sites like Yelp can be really helpful, but one always has to remember to take it from the source. I remember reading one that gave a hotel a poor review because the lobby chairs weren’t comfortable and the hotel TV didn’t have the writer’s favorite channel.
As if there weren’t enough stuff to do in New York City during the holidays, there will be a new Broadway show out for your Christmas tourism dollars: a musical adaptation of the cult-favorite Christmas movie A Christmas Story, which will run at the Lunt-Fontanne Theatre from November 5 to December 30.
Ashley Greene should be used to fame by now, after starring as Alice Cullen in the Twilight series. But the 25-year-old still has to find ways to get past the oppressive Hollywood system.
It was announced today that the highly acclaimed Broadway production of End of the Rainbow, written by Peter Quilter and directed by Tony® Award winner Terry Johnson, will play its final performance on Sunday, August 19.
Henry Winkler is coming to Broadway as an adult film star. That sentence alone will get me in the seats.
Benjamin also talks about the worst voice-over job he’s ever been offered
Aisha: “This has been the most immersive experience for sure”
Actor Paul Dano found himself surrounded by familiar faces during the production of his latest film, Ruby Sparks. He co-stars with his real-life girlfriend Zoe Kazan, who also wrote the script, and the movie is directed by Valerie Faris and Jonathan Dayton, the husband-and-wife team who directed Dano in his breakthrough role in Little Miss Sunshine.
Those that know me well know that my all-time most hated movie is The Wedding Planner. I was stuck seeing that movie on two separate dates before I learned it’s perfectly acceptable to tell a girl “no, I’d prefer not to see a Jennifer Lopez movie.” As much as I dislike the movie, I hold no ire toward Lopez’s co-star Matthew McConaughey, although I never thought much of him as an actor because of his tendency to star in romantic comedies and awful action movies (though he is awesome in Dazed & Confused, one of my favorite films).
Go back one hundred years and the only options actors had to display their craft were the theater and the still-in-its-infancy movies. Radio and television opened up more opportunities in the following decades, and more recently the internet has allowed actors to show their work instantly on a worldwide scale.
With so much indie theater in New York City it’s impossible for me to make it to every production I’m invited to review. So before I even get into my review of The Seeing Place’s double-bill of Harold Pinter’s The Lover and John Patrick Shanley’s Danny and the Deep Blue Sea, I feel obligated to point out that this is the third Seeing Place production that I’ve been invited to review this season and perhaps the biggest compliment I can pay them is that I make sure I have been there every time.
Whitney Cummings is the first one to admit that her show, Whitney, has some changes to make before it comes back for its second season in the fall.
For all of the humor he has brought over his decades in show business, 86 year-old Mel Brooks has achieved a number of awards for his work in film, television, comedy, and musical theater.
Felicia: “There’s no secret process to how I approach it, it’s just, I honestly and genuinely love what I do”