SXSW Review: Sally Field in ‘Hello, My Name is Doris’
I dare you to watch Michael Showalter’s new film, ‘Hello, My Name is Doris’, and not completely be in love with Sally Field at the end of this charming film
I dare you to watch Michael Showalter’s new film, ‘Hello, My Name is Doris’, and not completely be in love with Sally Field at the end of this charming film
“There’s a dearth of roles for women. I turn down a lot of stuff because there’s just nothing in it for me to do.” – Sally Field
Directed by Ondi Timoner, the doc follows the multi-hyphenate (comedian/actor/author/activist/rabble-rouser) into the second coming of his career, activism.
Directors Robert Machoian and Rodrigo Ojeda-Beck talk about their SXSW film, God Bless the Child and working with kids and 2 patients dogs.
I’m not the biggest fan of horror films but ‘The Final Girls’ totally won me over. OK, slayed me. I tried not to write that but couldn’t help it.
The casting directors spoke about filing away a talented actor’s tape if they knew he or she had talent, but didn’t have a project for that particular actor at the moment.
The director and cast talk about their original idea for the web series, the challenges of moving from the web to a film and how Daniel Dae Kim got involved
Directed on a shoestring budget and taking a 1 1/2 to complete, the duo behind Sweaty Betty prove that with determination and will, you can do anything
“I’m a lifer actor,” James Tupper told me. “I went to drama school and got a Master’s. I did the way of the less talented. I had to just find a way to keep it going where I could really break in.”
Ferrell was on hand to take part in a Q&A and spoke more about how working with Hart came about. When asked if he chooses his projects based on who he wants to work with, or the script itself, Ferrell explained that each project was different.
After six seasons, one hundred and twenty one episodes and more than seven hundred musical numbers, Glee has taken its final bow in an emotional two hour double bill.
Kim’s desire to direct has been a longtime in the making, but due to the the complex story line of Lost, he wasn’t able to tackle directing until now.
Kemper remembers that she felt that her first meeting about the Unbreakable Kimmy Schmidt with Fey and Carlock was too good to be true.
Forty-three years ago today, The Godfather premiered in New York City. So today, we celebrate Robert De Niro.
“The good thing is wearing something like that sort of changes how you stand and it gives you a sense of grace that you can use to your advantage as an actor” – Lily James on wearing corsets
“You’re really just kind of in the story and letting it all unfold around you. It’s really wonderful. I love it” – Mary Elizabeth Winstead on shooting Faults in chronological order
“There’s no tricks. It’s very open, it’s very stripped down, it’s playing with the truth and without emotional truth no scene works” – Leland Orser
Honeymoon in Vegas is the virtual definition of a crowd-pleaser, and it definitely deserves a lot more attention from the tourist crowds who typically gravitate to the old standbys.
“I’m always trying to play that truth even if the comedy is extreme” – Aisha Tyler on Voicing Lana Kane on ‘Archer’
Spacey spoke about why he loves being seen as an outsider and why he decided to make those moves in the first place.