Chris McKittrick

Christopher McKittrick is the author of Vera Miles: The Hitchcock Blonde Who Got Away (2025), Can’t Give It Away on Seventh Avenue: The Rolling Stones and New York City (2019), Somewhere You Feel Free: Tom Petty and Los Angeles (2020), Gimme All Your Lovin’: The Blues Beard, and Boogie of ZZ Top’s Billy F. Gibbons (2024), and Howling to the Moonlight on a Hot Summer Night: The Tale of the Stray Cats (2024). In addition to his work for Daily Actor, McKittrick and his work have been quoted in The Wall Street Journal, The New York Times, Observer, Newsday, USAToday.com, CNBC.com, Time.com, RollingStone.com, and dozens of other entertainment and news websites. He has appeared on television on the Tom Petty episode of HLN’s How It Really Happened and Al Araby TV’s Hekayat Al Cinema, and on various radio shows and podcasts.

For more information about Chris, visit his website here!

German Documentary Reveals Heath Ledger’s Joker Diary (video)

It has been said when the late Heath Ledger got into roles he really got into them. And when he portrayed Batman’s arch-villain The Joker in The Dark Knight, for which he won a posthumous Oscar for, Ledger went even deeper, including keeping a “Joker diary.”

SAG-AFTRA Approves Contract for Commercials

After weeks of negotiating during a time when commercial actors have seen themselves working harder for less pay, members of SAG-AFTRA have strongly approved a new deals for acting for television and radio commercials.

Actors Sue SAG-AFTRA Claiming Mishandled Foreign Royalties Totaling $110 Million

Last fall a number of actors sent a letter to SAG-AFTRA that claimed that the union had not properly paid actors foreign royalty payments due to them for over a decade. SAG-AFTRA immediately dismissed the claim by pointing out that famed accounting firm PricewaterhouseCoopers audits the foreign royalty payments for the union.

Megan Hilty on the End of ‘Smash’ and What’s Next for Her

In the end, Smash is, at best, an imperfect television series. It took an interesting industry — the behind-the-scenes creation of Broadway productions — and incredibly talented singers, like Megan Hilty, yet somehow failed to make it interesting to general audiences or even Broadway diehards.

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