Interviews, Monologues, Acting Tips and Advice

YOUTUBE VIDEOS

In this interview, casting directors Jessica Kelly (Euphoria, Y2K) and Lisa Parasyn (Schitt’s Creek, Lost Girl) share what it took to cast the new comedy series Overcompensating, from collaborating with Benito Skinner to finding actors who could bring both humor and heart to their roles.

They discuss what makes an actor stand out in auditions, the challenges of casting cameos for a new series, and why empathy and authenticity are key ingredients in a memorable performance. Plus, they offer their best advice for self-tapes, including why your first few moments on camera are crucial, and why it’s essential to know your lines.

If you’re an actor looking to improve your audition game or simply curious about the casting process behind one of this year’s buzziest new shows, this interview is packed with valuable insights.

Timestamps: 
•  (00:02) Intro
•  (00:44 - 01:31) Jessica explains her connection to A24 and Jonah Hill’s company, which led her to the project. She brought Lisa on to cast the Canadian roles.
•  (02:13) Initially, only Benito Skinner was attached to Overcompensating. Mary Beth Barone had to audition despite the role being written for her.
•  (02:52 - 04:07) Benito was very involved, reading with actors in auditions. 
•  (04:43 - 05:28) The casting process included over 100 roles and many cameos. Casting big names and surprise cameos was challenging since the show was unproven at the time.
•  (06:04 - 07:33) Actors who brought truth and natural humor stood out. Holmes was highlighted as a standout for her unexpected and brilliant performances.
•  (08:11 - 09:25) Jessica received 6,000–8,000 submissions for one role.
•  (10:49 - 12:02) Many actors submitted similar reads for each audition. Those who stood out brought heart and individuality, rather than just broad comedy. Authenticity and connection to the character were vital.
•  (12:38 - 13:20) Memorable actors are those who show empathy and depth, not just technical skill or charisma. They can deliver simple, authentic performances that suggest an inner life.
•  (13:59 - 15:13) Self-tape advice for Actors 

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#Overcompensating #CastingDirectors #JessicaKelly #LisaParasyn #BenitoSkinner #ActingTips #SelfTapeTips #CastingAdvice #OvercompensatingInterview #DailyActor #ActorsLife #AuditionTips #TVCasting #BehindTheScenes

In this interview, casting directors Jessica Kelly (Euphoria, Y2K) and Lisa Parasyn (Schitt’s Creek, Lost Girl) share what it took to cast the new comedy series Overcompensating, from collaborating with Benito Skinner to finding actors who could bring both humor and heart to their roles.

They discuss what makes an actor stand out in auditions, the challenges of casting cameos for a new series, and why empathy and authenticity are key ingredients in a memorable performance. Plus, they offer their best advice for self-tapes, including why your first few moments on camera are crucial, and why it’s essential to know your lines.

If you’re an actor looking to improve your audition game or simply curious about the casting process behind one of this year’s buzziest new shows, this interview is packed with valuable insights.

Timestamps:
• (00:02) Intro
• (00:44 - 01:31) Jessica explains her connection to A24 and Jonah Hill’s company, which led her to the project. She brought Lisa on to cast the Canadian roles.
• (02:13) Initially, only Benito Skinner was attached to Overcompensating. Mary Beth Barone had to audition despite the role being written for her.
• (02:52 - 04:07) Benito was very involved, reading with actors in auditions.
• (04:43 - 05:28) The casting process included over 100 roles and many cameos. Casting big names and surprise cameos was challenging since the show was unproven at the time.
• (06:04 - 07:33) Actors who brought truth and natural humor stood out. Holmes was highlighted as a standout for her unexpected and brilliant performances.
• (08:11 - 09:25) Jessica received 6,000–8,000 submissions for one role.
• (10:49 - 12:02) Many actors submitted similar reads for each audition. Those who stood out brought heart and individuality, rather than just broad comedy. Authenticity and connection to the character were vital.
• (12:38 - 13:20) Memorable actors are those who show empathy and depth, not just technical skill or charisma. They can deliver simple, authentic performances that suggest an inner life.
• (13:59 - 15:13) Self-tape advice for Actors

If you liked this video, please be sure to subscribe! https://www.youtube.com/channel/UCsjy6It6J9BTVdL0NVNGDsQ?sub_confirmation=1

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#Overcompensating #CastingDirectors #JessicaKelly #LisaParasyn #BenitoSkinner #ActingTips #SelfTapeTips #CastingAdvice #OvercompensatingInterview #DailyActor #ActorsLife #AuditionTips #TVCasting #BehindTheScenes

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YouTube Video VVVzank2SXQ2SjlCVFZkTDBOVk5HRHNRLmpnQ2t5b2g1eEhn

Overcompensating Casting Directors Jessica Kelly & Lisa Parasyn on What Makes an Actor Stand Out

Daily Actor June 11, 2025 1:37 pm

Casting directors Robert Ulrich and Jackie Davies share what really goes into casting a hit like The Boys. From finding grounded performances in a heightened world to discovering breakout stars through self-tapes, they reveal what makes an audition stand out—and how trust, instinct, and great writing help shape the series.

Timestamps: 
•  (00:02–00:53) Casting heightened roles: The casting directors say it's not hard to find grounded actors due to the strong writing. They advise actors not to “push it” and keep performances real.
•  (01:21–01:48) Cast surprises: Susan Hayward’s portrayal of Sage helped define the character more clearly, even for the casting team. Valerie Curry also nailed her role.
•  (02:15–03:21) Nathan Mitchell as new Black Noir: They had early clues he’d return in a new way in Season 4. 
•  (03:48–04:53) Auditions from Antony Starr and Jessie Usher: Both actors thought their initial self-tapes were weak. 
•  (05:14–06:39) Zoom vs in-person auditions: Zoom/self-tapes have made casting more inclusive, allowing them to see hundreds per role. 
•  (08:14–09:24) Antony Starr’s performance: Starr wasn’t initially the physical type they envisioned but won them over with his tape. 
•  (09:49–10:49) Advocating for actors: Ulrich has built trust with showrunner Eric Kripke over 20 years, allowing him to strongly advocate for certain actors when he believes in them.
•  (12:04–13:31) What makes a good self-tape: Doesn’t need to look perfect—just be audible, visible, and show that the actor is prepared. 
•  (13:59–15:58) Staying on their radar: Strong note-taking helps them remember actors. Repeated auditions mean they like the actor. 

If you liked this video, please be sure to subscribe! https://www.youtube.com/channel/UCsjy6It6J9BTVdL0NVNGDsQ?sub_confirmation=1

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Casting directors Robert Ulrich and Jackie Davies share what really goes into casting a hit like The Boys. From finding grounded performances in a heightened world to discovering breakout stars through self-tapes, they reveal what makes an audition stand out—and how trust, instinct, and great writing help shape the series.

Timestamps:
• (00:02–00:53) Casting heightened roles: The casting directors say it's not hard to find grounded actors due to the strong writing. They advise actors not to “push it” and keep performances real.
• (01:21–01:48) Cast surprises: Susan Hayward’s portrayal of Sage helped define the character more clearly, even for the casting team. Valerie Curry also nailed her role.
• (02:15–03:21) Nathan Mitchell as new Black Noir: They had early clues he’d return in a new way in Season 4.
• (03:48–04:53) Auditions from Antony Starr and Jessie Usher: Both actors thought their initial self-tapes were weak.
• (05:14–06:39) Zoom vs in-person auditions: Zoom/self-tapes have made casting more inclusive, allowing them to see hundreds per role.
• (08:14–09:24) Antony Starr’s performance: Starr wasn’t initially the physical type they envisioned but won them over with his tape.
• (09:49–10:49) Advocating for actors: Ulrich has built trust with showrunner Eric Kripke over 20 years, allowing him to strongly advocate for certain actors when he believes in them.
• (12:04–13:31) What makes a good self-tape: Doesn’t need to look perfect—just be audible, visible, and show that the actor is prepared.
• (13:59–15:58) Staying on their radar: Strong note-taking helps them remember actors. Repeated auditions mean they like the actor.

If you liked this video, please be sure to subscribe! https://www.youtube.com/channel/UCsjy6It6J9BTVdL0NVNGDsQ?sub_confirmation=1

DAILY ACTOR: https://www.dailyactor.com

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2 2

YouTube Video VVVzank2SXQ2SjlCVFZkTDBOVk5HRHNRLm9BMUM2S1RrMU53

How Robert Ulrich & Jackie Davies Cast The Boys: Self-Tapes, Surprises & Trust

Daily Actor June 3, 2025 2:46 pm

In this interview, actor Hank Greenspan opens up about his role in the indie film Ethan Bloom and how it challenged him in new ways after years on the hit TV show The Neighborhood. He talks about what it was like to carry a film as the lead, the intense preparation for emotional scenes, and the transition from sitcom to serious drama.

Hank also shares valuable audition tips for young actors, what he's learned from working with veteran performers, and how he's navigating his career beyond The Neighborhood. Whether you're a fan of Hank, an aspiring actor, or just love hearing behind-the-scenes stories, this one's worth the watch.

📍 Timestamps in the video chapters!
00:02 – Preparing for the Premiere: Hank talks about attending the Ethan Bloom premiere in Miami at the Olympia Theater, with a red carpet and post-screening Q&A. He even got a real suit.
01:27 – Balancing “The Neighborhood” and “Ethan Bloom”: He reflects on working on “The Neighborhood” since age 6 and how the consistent schedule made him want to explore something new and more creatively challenging.
02:58 – Landing “Ethan Bloom”: Hank and his team asked for more indie film opportunities, leading to the audition and booking of Ethan Bloom, which offered a more dramatic and fresh experience.
03:37 – Emotional Scenes and Learning on Set: He discusses working with experienced co-stars like Josh Molina and Rochelle Lefevre, and how he prepared for intense scenes, including a key monologue.
04:58 – Carrying the Film as Lead: Being first on the call sheet was a shift from his ensemble role in “The Neighborhood”. He describes the daily schedule, pressure, and responsibility of being in nearly every scene.
06:27 – Realizing the Stakes: Hank shares how he and his mom managed the shooting schedule and how vital his presence was to production, unlike in “The Neighborhood”, where scenes could be shuffled.
07:49 – Comedy and Influence from Co-stars: He credits his comedic timing and acting instincts to years of observing his Neighborhood co-stars, using those skills in Ethan Bloom's mix of drama and humor.
08:30 – Looking Ahead: Although not actively searching, he’s open to doing more projects like Ethan Bloom. He acknowledges that auditions have slowed post-strike but expresses his passion for acting.
10:44 – Acting Advice for Young Performers: Hank emphasizes the importance of understanding lines in auditions and suggests creating a personal backstory when full scripts aren’t available, even if it's just for context.
12:55 – On Auditions and Persistence: He admits that auditions are tough and still uncomfortable, even after years of doing them, but encourages young actors to get used to them since they’re essential to the job.

If you liked this video, please be sure to subscribe! https://www.youtube.com/channel/UCsjy6It6J9BTVdL0NVNGDsQ?sub_confirmation=1

#HankGreenspan #EthanBloom #TheNeighborhood #ActorInterview #ActingTips #YoungActors #AuditionAdvice #DailyActor

DAILY ACTOR: https://www.dailyactor.com

FOLLOW DAILY ACTOR: 
Facebook: http://www.facebook.com/dailyactor
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In this interview, actor Hank Greenspan opens up about his role in the indie film Ethan Bloom and how it challenged him in new ways after years on the hit TV show The Neighborhood. He talks about what it was like to carry a film as the lead, the intense preparation for emotional scenes, and the transition from sitcom to serious drama.

Hank also shares valuable audition tips for young actors, what he's learned from working with veteran performers, and how he's navigating his career beyond The Neighborhood. Whether you're a fan of Hank, an aspiring actor, or just love hearing behind-the-scenes stories, this one's worth the watch.

📍 Timestamps in the video chapters!
00:02 – Preparing for the Premiere: Hank talks about attending the Ethan Bloom premiere in Miami at the Olympia Theater, with a red carpet and post-screening Q&A. He even got a real suit.
01:27 – Balancing “The Neighborhood” and “Ethan Bloom”: He reflects on working on “The Neighborhood” since age 6 and how the consistent schedule made him want to explore something new and more creatively challenging.
02:58 – Landing “Ethan Bloom”: Hank and his team asked for more indie film opportunities, leading to the audition and booking of Ethan Bloom, which offered a more dramatic and fresh experience.
03:37 – Emotional Scenes and Learning on Set: He discusses working with experienced co-stars like Josh Molina and Rochelle Lefevre, and how he prepared for intense scenes, including a key monologue.
04:58 – Carrying the Film as Lead: Being first on the call sheet was a shift from his ensemble role in “The Neighborhood”. He describes the daily schedule, pressure, and responsibility of being in nearly every scene.
06:27 – Realizing the Stakes: Hank shares how he and his mom managed the shooting schedule and how vital his presence was to production, unlike in “The Neighborhood”, where scenes could be shuffled.
07:49 – Comedy and Influence from Co-stars: He credits his comedic timing and acting instincts to years of observing his Neighborhood co-stars, using those skills in Ethan Bloom's mix of drama and humor.
08:30 – Looking Ahead: Although not actively searching, he’s open to doing more projects like Ethan Bloom. He acknowledges that auditions have slowed post-strike but expresses his passion for acting.
10:44 – Acting Advice for Young Performers: Hank emphasizes the importance of understanding lines in auditions and suggests creating a personal backstory when full scripts aren’t available, even if it's just for context.
12:55 – On Auditions and Persistence: He admits that auditions are tough and still uncomfortable, even after years of doing them, but encourages young actors to get used to them since they’re essential to the job.

If you liked this video, please be sure to subscribe! https://www.youtube.com/channel/UCsjy6It6J9BTVdL0NVNGDsQ?sub_confirmation=1

#HankGreenspan #EthanBloom #TheNeighborhood #ActorInterview #ActingTips #YoungActors #AuditionAdvice #DailyActor

DAILY ACTOR: https://www.dailyactor.com

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YouTube Video VVVzank2SXQ2SjlCVFZkTDBOVk5HRHNRLjR2SjluWEdnY3lB

Hank Greenspan Talks Ethan Bloom, Growing Up on The Neighborhood & Acting Advice for Young Actors

Daily Actor April 18, 2025 1:26 pm

In this interview, actress Cindy Busby dives into her role as Nora Anderson in Season 2 of When Hope Calls. From learning how to drive a real horse-drawn wagon to portraying a groundbreaking female lawyer in 1920, Cindy shares the behind-the-scenes challenges and joys of stepping into a period drama. She opens up about the importance of character evolution, her journey to landing the lead role, and even reflects on returning to Heartland after more than a decade. 

Here's a bit more of what we talked about: 
•  00:02 – Immersing into Period Acting: Cindy shares how the period costumes, makeup, and standing sets on When Hope Calls help her fully transform into her character and feel transported to another era.
•  01:54 – Learning to Drive a Horse-Drawn Wagon: She learned to drive a real horse-drawn wagon for the role, including practicing figure eights and slow turns—only learning after that it could tip over!
•  03:01 – Working with Horses: Cindy talks about the challenges of working with horses on set, joking that they have strong personalities and sometimes try to "test" her authority.
•  04:23 – Odd Skills Learned for Acting: Throughout her career, Cindy has had to learn many unusual skills like archery, ballroom dancing, fake skiing, and how to handle a dog show—each adding to her actor toolkit.
•  05:49 – Playing a Female Lawyer in 1920: She discusses the significance of playing Nora, a rare female lawyer in 1920, when only 0.01% of lawyers were women—something that deeply shapes her character.
•  07:42 – Joining an Established Cast: Cindy reflects on joining the cast in season 2, sharing that while she felt some nerves, the returning cast was welcoming, and she quickly felt at home.
•  09:26 – From Audition to Leading Role: She originally auditioned for season one (a different role) and later for a part in season 2, which didn't work out. Eventually, she landed the role of Nora—a journey she’s grateful for.
•  11:16 – The Joy of Character Evolution: Cindy talks about the unique experience of evolving a character over time in a series, as opposed to the condensed arc of a film, allowing her to grow alongside her roles.
•  12:58 – Returning to ‘Heartland’: Returning to play Ashley in Heartland after 11 years was emotional and special. Cindy describes reconnecting with the role and her co-stars as a surreal but fulfilling experience.
•  14:16 – How Characters Live Within You: She reflects on how characters never truly leave—how stepping back into an old role can feel like slipping on a familiar pair of cowboy boots.

 #Cindybusby #WhenHopeCalls  #hallmark  #greatamericanfamily  #NoraAnderson #perioddrama 

If you liked this video, please be sure to subscribe! https://www.youtube.com/channel/UCsjy6It6J9BTVdL0NVNGDsQ?sub_confirmation=1

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In this interview, actress Cindy Busby dives into her role as Nora Anderson in Season 2 of When Hope Calls. From learning how to drive a real horse-drawn wagon to portraying a groundbreaking female lawyer in 1920, Cindy shares the behind-the-scenes challenges and joys of stepping into a period drama. She opens up about the importance of character evolution, her journey to landing the lead role, and even reflects on returning to Heartland after more than a decade.

Here's a bit more of what we talked about:
• 00:02 – Immersing into Period Acting: Cindy shares how the period costumes, makeup, and standing sets on When Hope Calls help her fully transform into her character and feel transported to another era.
• 01:54 – Learning to Drive a Horse-Drawn Wagon: She learned to drive a real horse-drawn wagon for the role, including practicing figure eights and slow turns—only learning after that it could tip over!
• 03:01 – Working with Horses: Cindy talks about the challenges of working with horses on set, joking that they have strong personalities and sometimes try to "test" her authority.
• 04:23 – Odd Skills Learned for Acting: Throughout her career, Cindy has had to learn many unusual skills like archery, ballroom dancing, fake skiing, and how to handle a dog show—each adding to her actor toolkit.
• 05:49 – Playing a Female Lawyer in 1920: She discusses the significance of playing Nora, a rare female lawyer in 1920, when only 0.01% of lawyers were women—something that deeply shapes her character.
• 07:42 – Joining an Established Cast: Cindy reflects on joining the cast in season 2, sharing that while she felt some nerves, the returning cast was welcoming, and she quickly felt at home.
• 09:26 – From Audition to Leading Role: She originally auditioned for season one (a different role) and later for a part in season 2, which didn't work out. Eventually, she landed the role of Nora—a journey she’s grateful for.
• 11:16 – The Joy of Character Evolution: Cindy talks about the unique experience of evolving a character over time in a series, as opposed to the condensed arc of a film, allowing her to grow alongside her roles.
• 12:58 – Returning to ‘Heartland’: Returning to play Ashley in Heartland after 11 years was emotional and special. Cindy describes reconnecting with the role and her co-stars as a surreal but fulfilling experience.
• 14:16 – How Characters Live Within You: She reflects on how characters never truly leave—how stepping back into an old role can feel like slipping on a familiar pair of cowboy boots.

#Cindybusby #WhenHopeCalls #hallmark #greatamericanfamily #NoraAnderson #perioddrama

If you liked this video, please be sure to subscribe! https://www.youtube.com/channel/UCsjy6It6J9BTVdL0NVNGDsQ?sub_confirmation=1

DAILY ACTOR: https://www.dailyactor.com

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YouTube Video VVVzank2SXQ2SjlCVFZkTDBOVk5HRHNRLjFSUkxWM3NhNFdr

Cindy Busby on ‘When Hope Calls’, Playing a 1920s Lawyer & Returning to 'Heartland'

Daily Actor April 15, 2025 9:11 am

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