Theater Review: ‘Ain’t Too Proud: The Life and Times of the Temptations’
If you’re a theater lover and looking to kick the New Year in high gear, Ain’t Too Proud: The Life and Times of the Temptations is a great way to do that.
If you’re a theater lover and looking to kick the New Year in high gear, Ain’t Too Proud: The Life and Times of the Temptations is a great way to do that.
There are 6 main factors to consider with your headshot, each one playing a critical role in how your shot comes out.Â
David Christopher Wells on his role, working with Richard Thomas and how being an understudy can feel like “jumping out of a plane.”
Gabriel and Hoss talk about their characters, playing powerful women and how they mapped out their roles for the globe-trotting season.
Jonathan Banks explains that he incorporated experiences of many individuals into his characterization of Mike.
When it comes to casting actors to play real-life people, John Papsidera makes an effort to avoid simply going off an actor’s resemblance.
Each time I watch Lin-Manuel Miranda’s Pulitzer prize-winning musical, I walk away with a new found respect for it.
Interview with the Vampire’s Jacob Anderson the research he did to help make his character, Louis, his own.
Eric Bogosian talks about being part of the ensemble of Interview with the Vampire and how the role follows his own “life arc.”
Andrew Polk talks working with James Gray on Armageddon Time, the research he did for his role and why he likes self-tapes.
Alan Alda shared some of the lessons he’s learned as an actor, including the advice he gleaned from his collaborators over the years.
Sam Reid talks about how he made the vampire Lestat his own character and the challenge of playing a monster.
Bailey Bass talks about Claudia, the research she did to get into character and the what she did once she got the role.
Hugh Jackman’s audition tape shows how the relatively unknown actor (at the time) won the role and of Wolverine.
Casting Director Jill Anthony Thomas on finding actors for LOOT, self-tapes, resumes and the best thing about her job.
Reflecting on this career, actor Tom Hanks credits others who changed the way he thought about his roles and his career.
Alexa Fogel talks about casting Black Bird, finding actors for smaller roles and what makes a good audition.
Florence Pugh is, as usual, great. She’s the rock here, grounding the whole film in reality.
John C. Reilly talks about his experience with method actors, and shares two stories about how far he saw actors take their performances.
Anne Hathaway shared a story about a scene more than 20 years in the making that appeared in one of her recent projects.