Michael Keaton on Being Particular and Why He’s “Incapable of Phoning In” a Role
Michael Keaton on why he is so particular about his roles and getting invested in each character, no matter how significant the part is.
Michael Keaton on why he is so particular about his roles and getting invested in each character, no matter how significant the part is.
Gillian Jacobs has amassed many notable acting credits in both film and television since she graduated from Juilliard School in 2004.
A highly sensitive performer is a double edged sword. Being sensitive to internal and external impressions means you may get overwhelmed.
Casting Director Robert Sterne on why they kept calling Emma Corrin back since they didn’t believe how good she was in the role.
Casting Directors Corinne Clark and Jennifer Page on Schmigadoon!, Zoom auditions, and self-tape advice that every actor should check out.
For many young filmmakers, there’s a debate between waiting to secure financing for your film or going out and making a film on the cheap.
Top performers of all types walk a perilous tightrope between giving their all to their work and jeopardizing their mental health.
Voice Actor Casting Director Linda Lamontagne talks about the challenges of casting, but also reveals that it offers a world of opportunity.
Phil Dunster speaks about how Jamie Tartt was created for him after an unsuccessful audition and how he has grown with the character.
Sharon Bialy and Sherry Thomas talk about casting, their thoughts and advice on self-tapes and much more!
Clifton Collins Jr. and Molly Parker chat about the film, researching their roles and their worst auditions.
JOCKEY Filmmakers Clint Bentley and Greg Kwedar on Clifton Collins Jr., and how they came up with the memorable last shot of the film.
“I always break the script down the way I have since school. What does the playwrights say about me? Or what, in this case, what does the screenwriter say about me? What do others say about me? What do I say about myself?” – Nina Arianda Being the Ricardos is
Tom Hanks spoke about what he believes is the ideal first job for an actor that, at least for him, set him up for his later success.
James Cullen Bressack chats about his new film, FORTRESS, working with Bruce Willis and what he thinks makes a great self-tape.
Alfred Molina explains why he does not turn work down — and how even bad projects add to his “crazy quilt of experiences.”
Adam Grupper talks about his role as Alfred P. Doolittle in the National Tour of MY FAIR LADY. life as an understudy and his worst audition.
Gillian Jacobs highlights a moment working with Academy Award nominated actor John Malkovich, who has a different acting style than she does.
Kate Winslet spoke about “homework” and why it’s so important to her to develop the backstories of her characters.
Toneisha Harris on HAIRSPRAY, how she got the part, pre-show rituals and how The Voice changed her life and career!