‘Fences’ (Lyons): “You don’t know nothing about how I was raised”
A one minute dramatic male monologue from the classic August Wilson play, Fences.
Plays
‘Fences’ (Troy): “I told that boy about that football stuff”
A one minute dramatic male monologue from the classic August Wilson play, Fences.
‘Harvey’ (Elwood): “Harvey and I sit in bars and play the jukebox”
A short, comedic male monologue from Mary Chase’s classic play, HARVEY.
‘Harvey’ (Elwood): “Aunt Ethel, I want you to meet Harvey”
A short, comedic male monologue from Mary Chase’s classic play, HARVEY.
‘You’re a Good Man, Charlie Brown’ (Schroeder): “You’re a very crabby person”
“I’m sorry to have to say it to your face, Lucy, but it’s true.”
‘You’re a Good Man, Charlie Brown’ (Peppermint Patty)
“Can’t someone fall in love with a girl who isn’t cute, and has freckles and a big nose?”
‘You’re a Good Man, Charlie Brown’ (Lucy): “I intend to be a queen”
“When I grow up I’m going to be the biggest queen there ever was…”
‘You’re a Good Man, Charlie Brown’ (Lucy): Failure
“Now, this is what you call a Failure Face, Linus.”
‘Shows for Days’ (Car): “How much of my time is spent in rehearsal rooms”
“I could barely hear her over the tap dancing.”
‘The (curious case of the) Watson Intelligence’ (Watson)
“Well obviously I can’t take this. I mean, I didn’t do it for the money anyway…”
‘The (curious case of the) Watson Intelligence’ (Eliza and the Learning Curve)
“Anyway it’s not just the sex. It’s that…this guy knows me.”
‘Spike Heels’ (Lydia): “At first, I admired Andrew’s interest in your welfare”
A contemporary comedy of manners which explores sexual harassment, misplaced amour, and the possibility of a four sided love triangle.
‘Fat Pig’ (Carter): “All I’m saying is this…”
Carter tries to convince Tom that he’s only young once
‘The Early Girl’ (Lana)
Set in a small town brothel, Lily has just arrived determined to earn enough to pay her debts as Lana tells her the ways of her new world
‘Spike Heels’ (Georgie): “Shame on your for thinking you’re better than the rest of us”
A dramatic monologue for women from Theresa Rebeck’s play, Spike Heels.
‘It’s Only a Play’ (Virginia): “And people wonder why I bottomed out?”
Virginia: They ain’t doing anything. They tried that number on me out in Hollywood. “You’re only as good as your last picture.” My agent told me. “Bulls—,” I told him. “Nothing’s as bad as my last three pictures but especially me. Just get me a job.” “Ginny, I can’t get
