Emily Blunt on Playing Mary Poppins: “This is just going to be my version of her”
Emily Blunt on the most daunting aspect of the role, director Rob Marshall, and singing songs from the original film.
Emily Blunt on the most daunting aspect of the role, director Rob Marshall, and singing songs from the original film.
As thrillers go, this one is pretty impressive and fans of Viola Davis will not be disappointed.
Here’s how you can use those words to elevate your acting career to a level that benefits your life on a number of levels.
Schuyler Fisk also talks about her acting career, getting her SAG card and Christmas movies.
Here’s what you need to know about auditioning and marketing strategies to be a successful voice over actor!
If there is a hell, you have to believe that there’s a white-hot space reserved for some of the people portrayed in Joel Edgerton’s new film, Boy Erased.
Mulligan also talks about figuring things out on set, her worst audition and more!
Director Joel Edgerton initially thought he didn’t need to give Kidman direction, and why she told him that he should.
The two actors talk about acting and their roles in the film.
Wicked, which had its Broadway premiere 15 years ago this week, is showing no signs of age. In fact, it feels even more relevant than ever.
Reddick talks about the film, playing a psychopath and tells the story of his worst audition!
Bohemian Rhapsody gets just enough things right to make it an semi-enjoyable homage to the brilliant Freddie Mercury.
Malek spoke how playing Mercury “terrified” him at first but later gave him the courage to stand up for his fellow cast members in a difficult situation.
Yeun explains why Burning was unlike anything else he has ever done in his career and why his lengthy stint on The Walking Dead was not as fulfilling as he hoped it would be.
D’Arcy Carden explains why acting is only for people who really want it — and how Upright Citizens Brigade saved her career.
Watch a video of Roberts auditioning in the mid-1980s opposite actor Alan Boyce
Dinklage revealed critical aspects about performing as Hervé and also shares some words of caution about actors who are too obsessed with method acting.
Mooren and Serafino have terrific chemistry and they could have easily carried the entire film.
Everett talks getting into character and why playing Wilde in David Hare’s play, The Judas Kiss, served as a great audition piece.
Fillion also talks how the industry has changed since he started acting.