SXSW Interview: Jenna Ushkowitz on Executive Producing ‘Twinsters’, ‘Glee’ and Her Advice to Actors
“Leave it at the door. Don’t take it with you afterwards. It just ruins your day and it’s really not meant to do that” – Jenna Ushkowitz on Auditions
“Leave it at the door. Don’t take it with you afterwards. It just ruins your day and it’s really not meant to do that” – Jenna Ushkowitz on Auditions
Jackson quite simply always plays newscasters. As well as Parks and Rec, he’s read the news on Scandal and The Mentalist as well as appearing in movies Battleship and Fast Five.
“With any role I play, I only have myself” – Steve Buscemi
The casting director and producer of The Outsiders, speaks about how the film was cast and how it was very different than a normal audition
On this date in 1963, Alfred Hitchcock’s The Birds was first released in New York. While star Tippi Hedren had many terrible experiences while filming the movie…
“I find sometimes emotional scenes are not that difficult for me. I find a way of tricking myself to trick myself to make something happen.” – Robert Duvall
Emmer and McDermitt have a nice, odd chemistry. There are times when Mary stares at Homer with such disdain yet, we can see at the end of the stare, just as the camera turns away, there’s something there.
I dare you to watch Michael Showalter’s new film, ‘Hello, My Name is Doris’, and not completely be in love with Sally Field at the end of this charming film
“There’s a dearth of roles for women. I turn down a lot of stuff because there’s just nothing in it for me to do.” – Sally Field
Directed by Ondi Timoner, the doc follows the multi-hyphenate (comedian/actor/author/activist/rabble-rouser) into the second coming of his career, activism.
Directors Robert Machoian and Rodrigo Ojeda-Beck talk about their SXSW film, God Bless the Child and working with kids and 2 patients dogs.
I’m not the biggest fan of horror films but ‘The Final Girls’ totally won me over. OK, slayed me. I tried not to write that but couldn’t help it.
The casting directors spoke about filing away a talented actor’s tape if they knew he or she had talent, but didn’t have a project for that particular actor at the moment.
The director and cast talk about their original idea for the web series, the challenges of moving from the web to a film and how Daniel Dae Kim got involved
Directed on a shoestring budget and taking a 1 1/2 to complete, the duo behind Sweaty Betty prove that with determination and will, you can do anything
“I’m a lifer actor,” James Tupper told me. “I went to drama school and got a Master’s. I did the way of the less talented. I had to just find a way to keep it going where I could really break in.”
Ferrell was on hand to take part in a Q&A and spoke more about how working with Hart came about. When asked if he chooses his projects based on who he wants to work with, or the script itself, Ferrell explained that each project was different.
After six seasons, one hundred and twenty one episodes and more than seven hundred musical numbers, Glee has taken its final bow in an emotional two hour double bill.
Kim’s desire to direct has been a longtime in the making, but due to the the complex story line of Lost, he wasn’t able to tackle directing until now.
Kemper remembers that she felt that her first meeting about the Unbreakable Kimmy Schmidt with Fey and Carlock was too good to be true.