‘Assassins’ (Lynette)
“I was like you once. Lost. Confused. A piece of shit. Then I met Charlie…”
30's
‘The Glass Menagerie’ (Tom)
“What do you think I’m at? Aren’t I supposed to have any patience to reach the end of, Mother?”
‘Are You Ready?’ (Woman)
“I’m the food critic for the Times, and I’ve been anxious for some time now to get my claws into the throat of that pompous evil weasel of a restaurateur…”
‘Arcadia’ (Valentine)
“If you knew the algorithm and fed it back say ten thousand times, each time there’d be a dot somewhere on the screen.”
‘In the Next Room’ (Elizabeth): “My mother told me to pray”
“When I first met her all I could think was: she is alive and Henry is not.”
‘Spike Heels’ (Georgie): “I understand you all right”
A contemporary comedy of manners which explores sexual harassment, misplaced amour, and the possibility of a four sided love triangle.
‘Spike Heels’ (Georgie): “Yeah, right, he ‘gave’ me the damn job”
A contemporary comedy of manners which explores sexual harassment, misplaced amour, and the possibility of a four sided love triangle.
‘Spike Heels’ (Lydia): “At first, I admired Andrew’s interest in your welfare”
A contemporary comedy of manners which explores sexual harassment, misplaced amour, and the possibility of a four sided love triangle.
‘Laughing Wild’ (Man and the Supermarket story)
The Man talks about getting hit in a supermarket by a woman
‘Frankie and Johnny in the Clair De Lune’ (Johnny tells a story)
Johnny tells Frankie about the time he almost lost his virginity
‘Fences’ (Rose): “I been standing with you!”
A dramatic monologue for women from the classic play, Fences, by August Wilson.
‘Fat Pig’ (Tom): “I guess I do care what my peers feel about me”
Tom finally breaks down and confesses everything to Helen
‘Fat Pig’ (Carter): “All I’m saying is this…”
Carter tries to convince Tom that he’s only young once