
SXSW Interview: Adrien Brody on His Documentary, ‘Stone Barn Castle’
“I went into this profession with nobody in the business and no real expectation that it would be an easy ride” – Adrien Brody
“I went into this profession with nobody in the business and no real expectation that it would be an easy ride” – Adrien Brody
“I put 70 very good actresses on tape before I started talking to Aubrey” – Director Hal Hartley on Casting Aubrey Plaza
“In my life, there’s always been these periods, where, ‘Oh my God, I’m never going to work again.’ And then things come out of nowhere. Especially if you’ve already arranged to leave the business and take a trip” – Mary Louise Wilson
I always feel like I’m always a fight for everybody. Like, “Constance Zimmer? Constance Zimmer.…
Directed by Jay Dockendorf, Naz and Maalik tells the story of two closeted Muslim teens…
“Leave it at the door. Don’t take it with you afterwards. It just ruins your day and it’s really not meant to do that” – Jenna Ushkowitz on Auditions
“I find sometimes emotional scenes are not that difficult for me. I find a way of tricking myself to trick myself to make something happen.” – Robert Duvall
Mary (Katharine Emmer) is a bored, depressed nanny who’s just been fired from her job,…
I dare you to watch Michael Showalter’s new film, ‘Hello, My Name is Doris’, and not completely be in love with Sally Field at the end of this charming film
Directed by Ondi Timoner, the doc follows the multi-hyphenate (comedian/actor/author/activist/rabble-rouser) into the second coming of his career, activism.
Directors Robert Machoian and Rodrigo Ojeda-Beck talk about their SXSW film, God Bless the Child and working with kids and 2 patients dogs.
I’m not the biggest fan of horror films but ‘The Final Girls’ totally won me over. OK, slayed me. I tried not to write that but couldn’t help it.
While the South by Southwest Festival is known for its many film premieres, like many…
The director and cast talk about their original idea for the web series, the challenges of moving from the web to a film and how Daniel Dae Kim got involved
Directed on a shoestring budget and taking a 1 1/2 to complete, the duo behind Sweaty Betty prove that with determination and will, you can do anything
After watching Tishuan Scott in writer/director Chris Eska’s Civil War era film, The Retrieval, I’m…
James: “You know when a role’s yours”
Alex on his feature directing debut: “It’s a long time coming”
John on auditioning: “It’s terrible. It’s just the worst”
Patrick: “I’ve now done more movies than I’ve done theatre and that’s sort of in a weird way sad”