‘The Perks of Being A Wallflower’ (Patrick)
“Forget it. I’m free now, right? I could meet the love of my life any second now.”
Dramatic
‘Hard Candy’ (Hayley)
“They never try girls as adults. Sexist but true. Plus I’ll have the biggest legal defense fund you ever saw.”
‘Hard Candy’ (Geoff)
“My mom came and got me the next day to pick me up. I never talked to Aunt Denise again.”
‘The (curious case of the) Watson Intelligence’ (Watson)
“Well obviously I can’t take this. I mean, I didn’t do it for the money anyway…”
‘Kill the Messenger’ (Webb)
“You know, my first story was about a dog that shoulda died but wouldn’t. I was twenty-two.”
‘Kill the Messenger’ (Weil)
“I was you once, Gary. I started down this road, though nowhere near as far as you are. They tried to kill me”
‘Kill the Messenger’ (Meneses)
“A five iron. It is perfectly designed to pull off any shot, if you use it properly. A tool that can carve its way through any shot necessary.”
‘Marion Bridge’ (Agnes)
“In the dream I’m drowning. But I don’t know it at first. At first I hear water and I imagine it’s going to be a lovely dream.”
‘Crimes of the Heart’ (Babe)
“After I shot Zackery, I put the gun down on the piano bench, and then I went out into the kitchen and made up a pitcher of lemonade.”
‘Proof’ (Catherine)
“I lived with him. I spent my life with him. I fed him. Talked to him. Tried to listen when he talked.”
‘The Glass Menagerie’ (Tom)
“What do you think I’m at? Aren’t I supposed to have any patience to reach the end of, Mother?”
‘Arcadia’ (Valentine)
“If you knew the algorithm and fed it back say ten thousand times, each time there’d be a dot somewhere on the screen.”
‘Oleanna’ (Carol): “The issue here is not what I ‘feel.'”
“The issue here is not what I “feel.” It is not my “feelings,” but the feelings of women. And men.”
‘Oleanna’ (Carol): “Why do you hate me?”
“Why do you hate me? Because you think me wrong? No. Because I have, you think, power over you.”
‘In the Next Room’ (Elizabeth): “My mother told me to pray”
“When I first met her all I could think was: she is alive and Henry is not.”
‘Red’ (Rothko): “All those bugs – ach!”
Master abstract expressionist Mark Rothko has just landed the biggest commission in the history of modern art
‘Red’ (Ken): “Bores you?!”
Rothko works feverishly with his young assistant, Ken, in his studio on the Bowery
‘Spike Heels’ (Lydia): “At first, I admired Andrew’s interest in your welfare”
A contemporary comedy of manners which explores sexual harassment, misplaced amour, and the possibility of a four sided love triangle.