Chris McKittrick

Christopher McKittrick is the author of Vera Miles: The Hitchcock Blonde Who Got Away (2025), Can’t Give It Away on Seventh Avenue: The Rolling Stones and New York City (2019), Somewhere You Feel Free: Tom Petty and Los Angeles (2020), Gimme All Your Lovin’: The Blues Beard, and Boogie of ZZ Top’s Billy F. Gibbons (2024), and Howling to the Moonlight on a Hot Summer Night: The Tale of the Stray Cats (2024). In addition to his work for Daily Actor, McKittrick and his work have been quoted in The Wall Street Journal, The New York Times, Observer, Newsday, USAToday.com, CNBC.com, Time.com, RollingStone.com, and dozens of other entertainment and news websites. He has appeared on television on the Tom Petty episode of HLN’s How It Really Happened and Al Araby TV’s Hekayat Al Cinema, and on various radio shows and podcasts.

For more information about Chris, visit his website here!

Bryan Cranston: “Without luck you will not have a successful career”

Few actors have the career trajectory of Bryan Cranston, who, after decades of supporting roles has suddenly, in his mid-fifties, found himself the star of a critically acclaimed television series, Breaking Bad, and roles in several high-profile movies, including Drive and Argo. In a lengthy interview with The Guardian, Cranston talks about the affect Breaking Bad has had on his career and how he looks at his current success.

Should Actors Worry About Appearing in Too Many Commercials?

An article in Advertising Age asks a question worthy of debate: Can an actor be in too many ads?  Most little-known actors would see nothing wrong with a steady stream of paying commercial gigs.  But if an actor becomes a familiar face by appearing in commercials for too many products,

24 Hour Plays Returns to Broadway on November 12

A long-running New York City fall theater tradition since the 1990s, 24 Hour Plays on Broadway involves professional actors and members of the Urban Arts Partnership collaborating answer the challenge of the title: they must create six ten-minute plays in the span of twenty-four hours and then perform them for a live audience.

Chevy Chase Still Causing More Problems on ‘Community’ Set, Uses Racial Slur

Chevy Chase continues to demonstrate that he must be a joy to work with on the set of Community. It hasn’t been six months since Chase’s very public spat with Community creator Dan Harmon. Then last month (after NBC removed Harmon as showrunner) Chase made it clear that he still wasn’t happy, calling the hours “hideous” and sitcoms “the lowest form of comedy,” and though he complimented the young cast (calling them his “friends”) he made sure to mention that he was aware that he wasn’t “working with the great innovators of all time.”

German Production of ‘Clybourne Park’ Halted After Playwright Bruce Norris Learns of White Actress Playing a Role in Blackface

Though popular plays are produced all over the world, quality control is a major issue that can come up when a production wants to put their own stamp on the play. Even if the production feels that those changes might be relatively minor, the authors of such works or their estates may not see it the same way to such a degree that they can prevent the production from going forward.

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