Interview: David Christopher Wells on His Role in ‘To Kill a Mockingbird’, Being an Understudy and Getting His MFA
David Christopher Wells on his role, working with Richard Thomas and how being an understudy can feel like “jumping out of a plane.”
Theater Review: ‘Much Ado’ at The Old Globe: Everyone is a Fool for Love
Kathleen Marshall’s version of ‘Much Ado’ is a funny, gorgeous, and emotionally resonant production.
Review: ‘Barefoot in the Park’ at the Old Globe Proves Opposites Attract
The show is a charming homage to those first heady days of marriage, and what happens when reality starts to settle in.
Review: ‘The Lion’ at The Old Globe
Scheuer brings something unusual for his (and my) generation of entertainment, an absence of snark to this emotional material.
With ‘October Sky’, the Sky is the Limit at The Old Globe
Like its main characters and their rockets, this show isn’t done growing up yet, but it is worth watching it progress on its way to being out of this world.
Fall in Love with ‘Love’s Labor’s Lost’ at the Old Globe
Nothing is more full of drama, grandiose and misbegotten plans, and over-the-top moments than youth.
Review: ‘Sense and Sensibility’ charms at The Old Globe
This gentle unfurling is tempered with the humor that comes from the misunderstandings and the comedy that comes from manners and busy body relatives.
Steve Martin on ‘Bright Star’, a New Musical He Wrote: “My whole career has been, ‘If I can do this, then I might be able to do that'”
Because of all his great movie roles, it’s sometimes easy to forget that Steve Martin is something of a Renaissance man. When he’s not starring in movies he’s playing his banjo or writing (including music, novels, plays, screenplays). Martin’s latest project actually combines both: he has been collaborating with singer-songwriter