Watch: Conversations with Ilana Glazer and Abbi Jacobson of ‘Broad City’
Ilana Glazer and Abbi Jacobson joke about their success with the series, jumping from a web series to cable television, and how their show is related to popular 1990s sitcoms
Ilana Glazer and Abbi Jacobson joke about their success with the series, jumping from a web series to cable television, and how their show is related to popular 1990s sitcoms
Depp talks about getting into Bulger’s head, the cast talks about the difficulty of mastering the Boston accent, and many other details about the filmmaking process.
The Oscar-winning actress speaks about playing Hedda Hopper, working with directors, and her entire career experience in film.
Fassbender and Winslet talk about working with a script by Aaron Sorkin, rehearsing with Boyle, and whether or not Winslet will do Broadway in order to complete her EGOT.
“It’s not enough just to be real; you have to try to make it interesting or entertaining” – Owen Wilson on Acting
The 68th Annual Writers Guild Awards is happening tomorrow night. The ceremony celebrates the normally relatively little-known writers behind acclaimed films and television programs.
Stockard Channing talks about collaborating with other actors in live theater, disappointment with her early career, and starring in a Broadway show that opened and closed on the same night
Harewood reveals how he relates to the character and how he eventually got comfortable playing him.
Moretz displayed talent from an early age. For example, in this 13 minute audition tape for 2010’s Let Me In, 12 year-old Moretz portrays her mysterious vampire character with growing intensity.
“He knew that I could, in his words, ‘act the … out of it’ and I’m not afraid to take a risk in terms of acting” Jennifer Jason Leigh on Quentin Tarantino
“I want to get better as an actor, to keep trying to work harder, trying to discover something different” – Forest Whitaker
Michael Shannon speaks about being cast in the film, the research he did for the role, and his rehearsal process — all answered in Shannon’s usual dry wit.
In the Bedlam production of Sense & Sensibility, Top 40 pop music is played prior to curtain (which in this case is just a figure to speech – there is no curtain), and the actors begin the performance dressed in lazywear of hoodies and sweatpants. This gives the initial impression
Mulligan talks about her stage career, being cast in An Education, and the truth behind the oft-repeated urban legend regarding her writing a “childhood crush” letter to Kenneth Branagh.
On Monday, February 22, nearly two dozen Broadway stars will use one of their few days off to preform in a very special event, Broadway Sings Billy Joel at The Highline Ballroom
Bellario was in jail for four days and now faces five to ten years in prison.
Wilde speaks about starring such a dramatically-intense film, how she has built her career, and the “worst pep talk” she ever got from her agent.
Redford and Dan Rather discuss the real-life events that inspired the film, how journalism has changed since the scandal, and Redford’s lifelong commitment to environmental activism
“We look for somebody who can elevate the material, which is very important when you’re looking at so many actors for a specific role.”
“This guy is vain in a way that lots of characters I’ve played aren’t. I gotta look RIGHT for this guy! Prop-wise, style-wise, the way my beard’s shaped — it’s all carefully thought out.” – Paul Giamatti