“I always break the script down the way I have since school. What does the playwrights say about me? Or what, in this case, what does the screenwriter say about me? What do others say about me? What do I say about myself?” – Nina Arianda Being the Ricardos is
Taryn Manning talks about the film, her preparation for the role and her career (including how she got her first job as a SAG actor).
Reed Birney chats about MASS, his role (which Kranz wrote specifically for him), the importance of listening, preparation and bad auditions.
Terry Knickerbocker, director of the Terry Knickerbocker Studio in Brooklyn, New York, made a huge pivot when COVID-19 hit. He shifted his entire studio online. “Look, if this works, great. And if it doesn’t, we’ll pull the plug, but let’s give it a week,” he said. Well, it worked and
A dramatic one minute monologue for men from the Broadway musical, 42nd Street.
Florence Pugh on career, including submerging herself in a tank of freezing water for Little Women and what she learned about acting from her mother.
Becky Ann Baker chats about Nightfire, her career and why she’s had staying power, audition tips and why she hates self-tapes.
Evan Strand talks about playing Sven, the massive costume he has to wear and the lengths he went to to get the role!
A comedic male monologue from the movie, THE NOTEBOOK
To help her get into character in Fosse/Verdon, Michelle Williams observed as much archive material of Gwen Verdon as possible.
