In the end, Smash is, at best, an imperfect television series. It took an interesting industry — the behind-the-scenes creation of Broadway productions — and incredibly talented singers, like Megan Hilty, yet somehow failed to make it interesting to general audiences or even Broadway diehards. That is the main reason why Smash is wrapping up its run at the end of this season (only the show’s second). Hilty, who played the often mean Broadway hopeful Ivy Lynn, spoke to iDesign about the end of the series
Hilty expresses hope that fans of the show will be satisfied by the series finale — though it wasn’t entirely written that way. She says, “We have the greatest fans of the show and they’re very, very loyal, but I hope that the season finale is satisfying for people. I feel like it will be because they kind wrote it just in case it didn’t get renewed, that it would wrap everything up. I think people will be pleased with it. It won’t be like ‘what would have happened?’” Read more
You want to learn how to become an actor? Join the club! Most everyone at one time or another has probably thought about becoming an actor.
They watch their favorite shows and movies and think, “I can do that!” They think it’s easy and glamorous.
But what most people don’t realize is that it’s a lot of hard work. It’s a huge amount of fun but yeah, it’s work!
It takes a special kind of person to want to become an actor. They have to be determined, unafraid of rejection and willing to work hard to consistently get better at their chosen craft.
This isn’t a site on how to become famous. This isn’t about becoming a star because odds are, you won’t. Hopefully you’re here because you want to learn how to be the best actor you can be. Whether you’re in Los Angeles or New York, Ohio or Colorado, you absolutely can make this happen.
One thing you should know from the start though is that being an actor is expensive. You’ll need money for headshots, headshot reproduction and acting classes. Eventually, you’ll need to market yourself with postcards and a website. You’ll also need to add your material to casting websites such as Actors Access. It’s definitely not cheap!
So, if you’re looking for steps on how to get into acting, you’ve come to the right place.
For links and more information on how to become an actor, check out our actor resources page. (coming soon)
One of the first things you’ll need is a headshot. This is not the place to skimp and be cheap because this is your calling card. If you submit an awful headshot, 99% of the time it’ll be filed away in the trashcan. Having a headshot that isn’t professional, it just automatically shows casting directors, directors and producers that you’re not serious about acting.
Your headshot needs to be shot by a professional and needs to look like you. Seriously, I can’t count how many times a casting director has told me that they’ve called in an actor for an audition and they either look 10 years older in person or their headshot was so photo-shopped that they had to do a double take. Your headshot must look like you, not what you want to look like. You should see my headshot… think I want to look like that?
What’s the cost? For New York and LA, paying $400 to $500 for a headshot session is the norm. Obviously, if you live outside of these cities, you should pay less.
If you need to find headshot photographers near you, click on the link.
The next thing you’ll need is an acting resume.
This isn’t like a resume you’d give to someone when you’re applying for a “normal” job. An acting resume is totally different. You can see examples here. (coming soon)
“I’m just starting out and have nothing to put on my resume!” I’ve heard that before and don’t worry. Everyone starts somewhere. You can easily fix that! Audition for small roles at your local Community, Dinner theater or join the cast of a Church or School production. If you’re in school then join the drama club. All of these things can be listed on your resume. You can even list any acting classes you’ve taken.
If there isn’t a role for you in the upcoming show, ask if you can help out. Theaters always need a good, responsible volunteer. This will get you in with the theater community and will make it tons easier when you actually do audition. They’ll already know you so it’ll be easier for them to take a chance on you!
Click here for more information on an acting resume. And if you need it, here’s an acting resume template. (both coming soon)
Learn Your Craft
Take a class! I’m sure there is some kind of acting class or acting program near you. I grew up in a small town and there were at least 5 acting classes within 20 minutes of where I lived.
If you’re still in school, try and find a summer acting camp. Usually, these are all day workshops that take place Monday-Friday. You’ll learn tons and walk away a much better actor. Plus, these are great places to meet people who are into the same things as you!
Go to college. There are a bunch of great schools you can choose for acting. You’ll be immersed in all things acting so how can you not improve? You’ll learn everything from movement, costumes, theater history, acting styles and techniques and best of all, you’ll be performing constantly.
I went to college in Baltimore, Maryland and loved my time there. I met some wonderful teachers and made some great friends that I still keep in touch with to this day.
For a list of acting schools and colleges, click here. (coming soon)
Audition for Community Theater. Like I said in the resume section, auditioning for Community Theater is a wonderful way to get started. I did a handful of musicals for my local Community Theater when I was in high school and I loved every minute of it. Plus, I learned a lot in the process.
Start off as an ensemble member of a large cast (every town does Oklahoma or another huge production at least once a year). Again, by getting involved, you’ll get to know the local theater companies and the people involved. The more they get to know you, they easier it’ll be to nail a part in one of the upcoming shows – especially if you’ve started off with no experience.
Audition as much as you can. Audition even if you don’t want the part. The more you audition, the better you’ll be at it. Learn to love auditioning because chances are, that’s all you be doing the first couple years once you have decided to become an actor.
Start Your Own Play Reading Group. Get a couple of friends together once every couple of weeks and read a play. Give yourself the lead role! The star of Beautiful Creatures, Alden Ehrenreich does exactly that. When I interviewed him, this is what he told me: “Just invite friends over to read a play. Like, me and my friends do that a lot and it just… it promotes that energy and that energy only builds, but you have to get the… you have to start the engine. You know?”
Don’t know what to start off with? Try something from Christopher Durang or Martin McDonaugh. Or, how about something that’s currently playing on Broadway?
Acting Agents and Managers. At this point, you might want to start looking for an agent. Do you have to have one? No, not at all. Especially if you’re not a member of any of the acting unions (SAG-AFTRA or Equity).
Don’t ever pay an agent or manager a fee for joining their agency or company. There are actor scams out there where you’ll be asked to pay an “agency fee” when you sign up. Don’t do it. Ever. The only time you should pay an agent or manager is after you’ve received payment for an acting job you’ve booked and already worked on.
Will you need a manager? Odds are you won’t. You’ll only need a manager when you have a career that actually needs to be managed. Typically, managers to 20% of what you’ve made on each job. That’s a lot of money to give to someone when you’re only working a couple times a year.
If you’re in Los Angeles or New York City, check out our actor mailing labels. We have sets of casting director mailing labels and agent mailing labels updated monthly.
Auditions and Casting Calls. How do you find auditions and casting calls? If you’re not in LA or NYC, check your local paper or their website. Google – auditions ‘my city’ – and I’m sure something will come up. Also, check out Actors Access or call your local SAG-AFTRA office. Most either have hotlines or audition information listed on their site. That’s how I found out about the audition that got me my SAG card.
Also, take a look at our post, Top 11 Reputable Casting Websites.
Acting is a Business
You have to treat acting as a business because that’s what it is, a business.
When you’re called in for an audition, be prepared. Know your scene, monologue or your song. Come with your headshot and resume (stapled together!). Be professional. You might only have one shot with that casting director. Make it the best and show them you have the goods!
Casting directors, directors and anyone who can hire you want to know that you are the answer to their casting “problem”. They need you and they want you to be great! They are rooting for you.
Keep up with what is happening in the entertainment industry.
Don’t go into this blind. Nothing irritates me more than meeting an actor who doesn’t watch TV or isn’t up to date on what is going on in film, TV or theater. This is your job!
My favorites are The Hollywood Reporter and Variety for film and TV news. Backstage is good as well. And of course, Daily Actor (shameless plug) – we feature interviews with actors, articles where actors talk about the craft of acting. We also we have a huge actors resource page. (coming soon)
This Won’t Happen Overnight
I did my first play in Elementary school, did the fall and summer productions in High School and then started to do shows at my local community theater. When I went to college, I moved onto Dinner Theater and found other theater companies to work with. While I was doing that, I auditioned for an industrial film, got the part and was lucky enough to get my SAG card. I’ve been acting for years and I’ve loved every minute of it.
Some people get lucky right off the bat. Some don’t… it could take them years. But, if you work hard, it’ll happen. If you’re prepared, it’ll happen.
Links and Resources – More Coming soon
Scott Foley stars as Henry, one of three estranged siblings, in the new FOX summer series, The Goodwin Games. When he, his sister (Becki Newton) and brother (T.J. Miller) return home after their fathers death, they unexpectedly find themselves poised to inherit more than $20 million. Trouble is, they can only get the money if - and only if – they can adhere to their late father’s wishes.
The show is from the executive producers of How I Met Your Mother and Scott, who after graduating high school bought a one-way plane ticket to Los Angeles, said that even though he loved the script, he took the job “because I was available and it was there.”
I met Scott briefly a long time ago and he’s the most down to earth guy. And honest too based on his quote above. I talked to him in a conference call promoting the show and in the interview he talks about the cast, why he loves working in TV over film and theater and how he’s been very “fortunate” in his career.
The Goodwin Games premieres tonight (Monday) at 8:30pm on FOX Read more
Benedict Cumberbatch Asked Meryl Streep for Acting Advice and Didn’t Get It… But He’s Happier That Way
I think just about any actor would love to pick the brain of Meryl Streep, who is widely recognized as one of the best actresses of all time.
Benedict Cumberbatch admits that he approached Streep on the set of August: Osage County, which is due out later this year, to ask her about how she would approach a multi-layered character like his Star Trek Into Darkness villain John Harrison. Unfortunately, Streep didn’t have much advice for him — but as he tells New York magazine, that was oddly exactly what he was hoping for! Read more
Lake Bell: “The most difficult thing about acting and directing in a film is acting and directing in a film”
Lake Bell has worked steadily in film and television since appearing in her first major role as Alicia Silverstone‘s character’s best friend in the short-lived NBC series Miss Match (which I do not remember ever existing, but apparently it did). She has also branched out into writing and directing, but she still remains an actress. She stars in the horror movie Black Rock alongside Katie Aselton, who co-wrote and directed the film. Bell spoke to Interview magazine about the way the film was shot and how she feels about working with other directors now that she is a director herself. Read more
With all the recent talk about Kickstarter surrounding Zach Braff‘s decision to use it to raise money for his next film (and Melissa Joan Hart‘s failed attempt to do the same), it’s good to know that there’s a campaign going to support a serial killer.
Okay, let me rephrase that — it’s a campaign to support Patrick Bateman, the titular psycho in American Psycho, as the classic novel is being adapted as a musical.
Duncan Sheik — who is best known for writing the music for Spring Awakening — already has a deal in place to stage the premiere of the musical at The Almeida Theatre in London, but he and the other producers are hoping to raise $150,000 on Kickstarter to add more to the production. He tells The New York Post, “This allows us to up the ante in terms of what the production is going to entail. I think it’s about being able to do things in the space that make for a really cool immersive theatrical experience.” Read more
Next time you see a play in New York City be very sure not to use your cell phone during the performance… not only because it’s really, really rude, but also just in case you are sitting next to Kevin Williamson.
Williamson, who is the Deputy Managing Editor for The National Review and writes about theater for New Criterion, was in attendance at a performance of Natasha, Pierre, and the Great Comet of 1812, a cabaret-style musical adapted from Leo Tolstoy’s War and Peace. The production takes place in a tent and the audience is seated at small tables, which led to an incident in which Williamson was thrown out for throwing another close-sitting patron’s cell phone across the room. Read more
There has been some debate over whether or not Kickstarter should be used to fund projects by creators who probably have the means — or at least access to the means — to fund the project themselves. This debate flared after fans ponied up the cash to fund a Veronica Mars movie and Zach Braff‘s next film in fractions of the allotted time. Some claim this is a revolutionary way to finance movies, while others say it’s akin to a celebrity exploiting his or her fanbase.
Regardless of which side of the debate you fall on, many filmmakers are getting in the Kickstarter act to raise money for their projects. However, not all of them are as successful as Zach Braff. Take Melissa Joan Hart, for instance. Read more
Norbert Leo Butz on His Broadway Success: “The only thread through my career is near-constant employment. That is a huge, rare gift in the theater”
So if you already have gotten two Tony Awards for Best Leading Actor in a Musical, you shouldn’t be getting nervous about taking your next lead role on Broadway, right? Based on his interview with The St. Louis Dispatch, Norbert Leo Butz would disagree with you.
With the Chicago tryout of Big Fish — a musical adapted from the 2003 Tim Burton film — now wrapped up and heading to Broadway in September, Butz admits he’s feeling nervous about it. He confesses, “Talk about a tough gig. I hope somebody will get some inspiration, some positive re-enforcement, from it. This acting thing is not for sissies. But when I was in college, you couldn’t have told me that I wouldn’t be a working actor.”In fact, he was convinced he would become an actor ever since high school, in which he starred not only in his high school’s plays but also in plays in all-girls schools in his hometown. He says, “The acting bug bit me before I graduated. I just fell in love with theater, with a love bordering on the obsessive. I couldn’t get enough.” Read more
The next time I interview for a job I’m not going to say anything. I don’t mean I won’t say anything of substance, I’m literally not going to say anything at all. Not a word.
After all, it actually worked for Isla Fisher.
According to ContactMusic.com, auditioned for the role of Myrtle Wilson in The Great Gatsby by not saying a single word. She figured that because she is completely unlike the loudmouth Myrtle she ought to not say anything at all when auditioning for director Baz Luhrmann.
She reveals, “I was so nervous because I thought, ‘If talk at all, he’s (Luhrmann) going to see my real personality and I won’t get the job, because I’m just not like Myrtle at all… so when I went for the audition I just totally didn’t say a word.” Read more