Alfred Molina on Characters with Contradictions and ‘Disappearing’ into a Role

Alfred Molina stars in Red at the Mark Taper Forum through September 9, a role that he originated in London and again later in a Tony Award-winning production on Broadway.  Like the previous productions Molina stars as Mark Rothko, the eccentric real-life artist who was commissioned to paint works for New York’s Four Seasons restaurant and felt conflicted about taking such a commercial job. 

Molina spoke to Southern California Public Radio about his portrayal of Rothko and what “disappearing into a role” really means to him.

Molina found himself intrigued with Mark Rothko before deciding to play him.  He points out, “Like so many interesting characters that one gets to play, he’s full of contradictions. All the most interesting characters are, in the same way all the most interesting people in life are often paradoxical and seemingly contradictory … Theatrically, in terms of playing characters, that’s where the really interesting grit is. It’s in those areas where things get confused, things get conflicted and contradictory, that’s where the most interesting part of character is in many ways because you have to resolve that for the audience and make all those contradictions equally valid. If the audience is agreeing with you one second and disagreeing with you the next, totally with you one moment and totally against you the next, then you’re halfway to doing your job because that means — hopefully — they’re going through the same sort of conflict that the character is.”

Since Molina inhabits the roles so effectively, the interviewer asks him  if it is cliche to talk about actors “disappearing into their parts.”  But Molina disagrees and explains, “I don’t think it’s so much a cliche as it is something character actors really aim for. There’s a great joy and satisfaction in being able to in some way, disappear … If you can lose yourself in it somehow — and it’s not about being real, it’s about being authentic — if you can be authentic enough so the audience to relax … that’s part of the craft we all take pride in is being able to somehow submerge ourselves to a certain degree.

Leave a Reply

http://www.dailyactor.com/wp-content/uploads/2017/02/zach-galifianakis-baskets.jpg
Zach Galifianakis on ‘Baskets’: “Not to sound too pretentious or actor-y but you want to kind of challenge yourself”
"As a comic — as a fat, bearded comic — you can paint yourself into a corner" - Zach Galifianakis
http://www.dailyactor.com/wp-content/uploads/2017/02/Michael-Shannon-Nocturnal-Animals.jpg
Michael Shannon on ‘Nocturnal Animals’: “From Day 1, I felt pretty locked into [the character]. It’s pretty mysterious”
"When you’ve got really great writing, it makes it easy." - Michael Shannon
http://www.dailyactor.com/wp-content/uploads/2017/02/giovanni-ribisi-sneaky-pete.jpg
Why Giovanni Ribisi Never Intended to Do a Show Like ‘Sneaky Pete’ and When He Finally Decided to “Chase Being an Actor”
"A friend of mine introduced me to the Actors Studio and Marlon Brando and Robert De Niro and Gary Oldman. It really was a revolution for me." - Giovanni Ribisi
http://www.dailyactor.com/wp-content/uploads/2017/02/tobias-menzies-outlander.jpg
Outlander’s Tobias Menzies on Preparation and the “Most Precious Commodity” of Filmmaking
Tobias Menzies: "One of the great luxuries when you have a bit of time is that you can give yourself a few different routes through a scene"
http://www.dailyactor.com/wp-content/uploads/2017/02/watch-conversations-with-miles-t.jpg
Watch: Conversations with Miles Teller and Aaron Eckhart of ‘Bleed for This’
Teller and Eckhart speak about preparing to portray a boxer and his trainer in this inspirational comeback story.