Ian McKellen Has No Plans to Retire: “I really feel I’m quite good at this acting thing now”
McKellen also opens up about his approach to acting, including noting the worst experience he ever had making a film.
Interview: Nasim Pedrad on ‘Chad’ and Transforming into a 15-Year-Old Boy
“The goal was not to trick people into thinking I’m a little boy,” Pedrad says. “It was really to disappear into the character and play it as earnestly as I could.”
Interview: Voice-Over Casting Director Andy Roth on Reels, Auditioning and AI
Roth talks about the business of voice-overs, voice-over reels and what he’s listening for, what classes you should take and if actors should be worried about AI.
Jessica Chastain on Her Early Career Experiences and Auditions: I was “trying to do as much as I could”
Chastain notes that the residuals she received from her early projects helped sustain her before her career took off. “I don’t know what I’d have done without that residual money.”
Theater Review: ‘The Wiz’ Eases Its Way to San Diego
The Wiz, the 7-time Tony Award winning musical which just landed in San Diego is fun, fresh and sure to put a smile on your face.
Paul Giamatti Reflects on ‘The Holdovers’ and the Pleasure of Playing a Character “Pleased with His Own Intelligence”
“I had gone to a prep school,” Giamatti said. “I grew up around a lot of people like this. So, it was kind of like, ‘Ooh, this’ll be fun.’ I can just pull on this deep well of all these memories.”
Jeff Bridges on Collaborating with Actors: “Look it, we’re all in this together, man. Let’s make something beautiful”
Actor Jeff Bridges talks about his approach to acting and why he finds “jamming” with other actors to be his ideal way to work on a project.
Interview: Acting Coach Howard Fine on Insecurity, Technique and What Makes a Great Actor
Acting coach Howard Fine has spent decades guiding actors to their full potential. He’s worked with some of the biggest names in Hollywood, including Michelle Williams, Kerry Washington and Bradley Cooper.
‘The Bear’ Star Ebon Moss-Bachrach on His Characters: “I’m not ever concerned with whether they’re likable”
As an actor, Moss-Bachrach tries to focus on maintaining relaxation, saying that he tries to “relax and negotiate this tightrope walk of nerves. You need to be relaxed to be able to make art and surprise yourself.”
Movie Review: ‘Napoleon’
You would think pairing director Scott and Phoenix in a film about Napoleon would be a sure-fire bullseye.
Movie Review: ‘Trolls Band Together’
The film is a quick and zippy ride that you and your family will absolutely get a kick out of.
Xolo Maridueña on His ‘Blue Beetle’ Role: “I didn’t audition for this. How do they know that I’m the right person?”
Maridueña was concerned that most of the film would be shot with green screen, but he was pleased to find out that the green screen shots were limited.
Theater Review: ‘Mamma Mia!,’ You Should Go Again
The show absolutely hilarious and it’s hard to single out any cast member because they’re all exceptional, especially Christine Sherrill and San Diego native Alisa Melendez
Movie Review: A Fun and Goofy ‘The Marvels’
The Marvels is wacky, doesn’t take itself too seriously and comes in at a brisk 100 minutes. And it’s loads of fun.
‘Barry’ Casting Director: “I think actors sometimes need to be nurtured, and I like nurturing people”
Casting Director Sherry Thomas explains how she works with actors to unveil new approaches to characters in auditions.
Jason Segel on His New Career Approach with ‘Shrinking’: “The actual acting process to me is the most peaceful, simplest time of my life”
Segel spoke about how his approach to his career has changed with projects like ‘Shrinking’
WATCH: SAG Conversations on the Journey of the Working Actor
In this virtual panel working actors – Cristina Rodlo, Joseph David-Jones, Jona Xiao and Rome Flynn – talk shop about auditioning, casting, and landing that next part.
Jesse Eisenberg on His Directorial Debut ‘When You Finish Saving the World’
Eisenberg also shares a valuable lesson he learned about acting from director James Ponsoldt.
Movie Review: Martin Scorsese’s ‘Killers of the Flower Moon’
Lily Gladstone is the heart and soul of the movie. She’s got such a soulful and expressive face. As members of her family die one by one of mysterious circumstances, that soul behind her eyes slowly diminishes. Her performance is incredible.
What is Method Acting? How to Use It and Not Get Lost in Character
In this guide, we’ll explore the definition and history of method acting, its benefits and drawbacks, and how to get started with method acting.