SXSW Interview: ‘God Bless the Child’ Directors Robert Machoian and Rodrigo Ojeda-Beck
Directors Robert Machoian and Rodrigo Ojeda-Beck talk about their SXSW film, God Bless the Child and working with kids and 2 patients dogs.
Directors Robert Machoian and Rodrigo Ojeda-Beck talk about their SXSW film, God Bless the Child and working with kids and 2 patients dogs.
The director and cast talk about their original idea for the web series, the challenges of moving from the web to a film and how Daniel Dae Kim got involved
Directed on a shoestring budget and taking a 1 1/2 to complete, the duo behind Sweaty Betty prove that with determination and will, you can do anything
“I’m a lifer actor,” James Tupper told me. “I went to drama school and got a Master’s. I did the way of the less talented. I had to just find a way to keep it going where I could really break in.”
“You’re really just kind of in the story and letting it all unfold around you. It’s really wonderful. I love it” – Mary Elizabeth Winstead on shooting Faults in chronological order
“There’s no tricks. It’s very open, it’s very stripped down, it’s playing with the truth and without emotional truth no scene works” – Leland Orser
“I’m always trying to play that truth even if the comedy is extreme” – Aisha Tyler on Voicing Lana Kane on ‘Archer’
“This is a chance to play a character that’s a little closer to who I am in real life and be a real person” – Will Forte
“I still laugh out loud every time I read a new script and that’s really rare” – Judy Greer on ‘Archer’
Agent Josiah Akinyele talks helping actors discover themselves, selecting new clients and his biggest bug bear – not being off book on self-taped auditions
“Finding where you need to be emotionally, or how grounded you need to be in a scene or how far you can actually go with the color of the Fish Mooney sometimes tend to be a bit challenging” – Jada Pinkett Smith
Whelehan on pitching the idea Kevin Spacey, the challenges of filming in the different theaters and an emotional sequence with actor Steven Lee Anderson
“Even if I know the character well, I pre-read fifty people or at least a great deal of people, sometimes even for a one line role” – Casting Director Robert Ulrich
“It took me months to get into the flow of things and adapt to audition rooms here” – Nick Krause on moving to LA
Pimental also has the greatest story ever about auditioning for Maria in ‘Orange is the New Black’
Diane Ademu-John, the writer/producer of Body of Proof & Medium talks writing, casting fresh faces and how character can bring out the x-factor in an actor
The Scorpion actor talks about his “crazy” audition for the show, a nightmare audition for the Farrelly Brothers and how he got cast in ABC Family’s Huge as a non-union actor.
“To get a role this interesting for an actor such as myself was just a Godsend” – Rainn Wilson
Paul talks about his decision to stream the films, profit participation for actors, shooting 25-pages a day while filming.
Eight years ago, Emilio Rivera was just another actor cast in a small part in a new play called Water & Power at the Mark Taper Forum.