Matthew Goode on ‘Leap Year’, accents and ‘A Single Man’

From movieline:

Had you met Amy Adams before shooting?
Before shooting, yes, because I had to get the job. She had a part in the casting so I went in and read. I wasn’t the only chap; she’s quite a big actress these days.

You’ve done several accents in your films. Was it tricky getting this one?
I have to say it really was because Anand wasn’t quite sure where he wanted me to come from for a while then he made the decision that it would be Dingle and the County Kerry accent would be a good one. Luckily I had one of the best vocal coaches in the world, Gerry Grennell — he worked with Johnny Depp and other people — he’s fabulous and he lives in Dublin so it was perfect. The first day Anand said, “Well, everyone in the crew seems to think you sound alright, it’s just that I can’t understand a bloody word.” It was a bit thick, which is good in the west of Ireland, very, very strong accents in certain parts. You can barely understand a bloody word yourself. So it was definitely blood, sweat and tears [sighs] but it worked out.

Is there any sort of character you’d really like to play?
I’ve always wanted to play a detective in a thriller with another guy, I think. Two guys trying to find out something, that would be fun, private detectives or something. I’d really enjoy that … or not, as the case may be.

But you’d like to try.
Absolutely, as long as the script isn’t a floating turd. “I’m going to do my dream! A dream of playing a detective! But the script is f***ing shit!” That would be hell.

Is there any actor whose career you’d like to emulate?
Yeah, sure, there’s so many really. People like Billy Crudup and Sam Rockwell; they have very tremendous range, doing theater and cinema. There are heroes of mine, like Michael Caine … I loved Peter O’Toole. Maybe O’Toole and [Richard] Burton and those boys, but without the alcoholism.

So how was it working with Colin Firth and Tom Ford on ‘A Single Man?’
I loved it; bearing in mind that the film was shot in 21 days, I wasn’t there for terribly long. Colin was one of the reasons I wanted to do it; I knew he was going to smash his part out of the park, and Julianne [Moore] was involved. Great cast. And Tom’s Tom. It was a bit intimidating to meet him at first, but after a couple of drinks in Claridges, we went through what his vision was, he’s very, very passionate, and it was kind of a love poem to his own partner Richard. Why wouldn’t I want to be involved with that? It’s a great book and quite important story.

It’s great that it’s getting so much recognition.
Yes, and Colin’s become a chum; I’m terribly fond of him.

He seems like a really solid guy.
He’s so solid. He’s fab, really, really fab. Give him a good vodka martini with a twist and sparks can fly.

Matthew Goode Writes a New Chapter in the Life of 'Brideshead Revisited'

You don’t set out to do anything different. You do similar homework. . . . One of the things that I found a little hard is the fact that in the novel he is so vocal — Charles — because he’s telling the [bleeping] story. But I’m practically mute. There’s a lot of stuff in the film that has to be conveyed by a look.