Chris McKittrick

Christopher McKittrick is the author of Vera Miles: The Hitchcock Blonde Who Got Away (2025), Can’t Give It Away on Seventh Avenue: The Rolling Stones and New York City (2019), Somewhere You Feel Free: Tom Petty and Los Angeles (2020), Gimme All Your Lovin’: The Blues Beard, and Boogie of ZZ Top’s Billy F. Gibbons (2024), and Howling to the Moonlight on a Hot Summer Night: The Tale of the Stray Cats (2024). In addition to his work for Daily Actor, McKittrick and his work have been quoted in The Wall Street Journal, The New York Times, Observer, Newsday, USAToday.com, CNBC.com, Time.com, RollingStone.com, and dozens of other entertainment and news websites. He has appeared on television on the Tom Petty episode of HLN’s How It Really Happened and Al Araby TV’s Hekayat Al Cinema, and on various radio shows and podcasts.

For more information about Chris, visit his website here!

Robert Downey Jr. Named Most Powerful Actor by Forbes

Few actors make Forbes‘ annual list of most powerful celebrities, but the ones who do have a lot of weight to throw around when it comes to making their movies. According to the magazine, the most powerful actor on the list is Robert Downey, Jr., who comes in at #10.

Dave Franco on Following His Older Brother’s Career Path

While Dave Franco will probably always be known as James Franco‘s less-famous younger brother, he’s certainly no Frank Stallone. Dave Franco has appeared in a number of acclaimed films, such as Greenberg, Now You See Me, and The Lego Movie, and fan favorite comedies like Superbad, 21 Jump Street, Warm

Kevin Spacey Versus a Ringing Phone, Now at the Old Vic!

Is it just me, or are we hearing an increasing amount of stories about bad audience behavior in theaters recently? Earlier this week we heard about the actor who rushed into the audience to deal with an audience member shouting gay slurs at the actor playing Brick in a production

An Acting School That Gets Students in Front of the Camera

As anyone who’s ever attended an acting school can tell you, the traditional approach is heavily focused on stage acting. However, for many students who don’t aspire to win Tony awards, learning how to act on stage is only the foundation of the skills they hope to acquire in acting

Scroll to Top