Steve Martin, Owen Wilson and Jack Black on how they bring ‘real life’ into their performances

The Big Year came out this past weekend and I can safely say that 99% of you reading this didn’t see it because it flopped at the box office. Unfortunately, I’m in that 1% and saw it and yes, it did in fact stink.

I wish it didn’t because I love Steve Martin. I grew up idolizing him – still do – and regardless of what he’s in, I’ll still see it. Owen Wilson and Jack Black aren’t too shabby either but the film was just boring and kind of pointless.

That being said, here’s a video of Martin, Wilson and Black talking about the film (you can skip that part), the process that enabled them to work together as a comedic ensemble and how they bring ‘real life’ into their performances. 

Skip to the 1:25 mark for the good stuff.   Read more

Trailer: ‘The Big Year’ starring Steve Martin, Jack Black, Owen Wilson

The Big Year: Steve Martin, Jack Black and Owen Wilson are at a crossroads — one is experiencing a mid-life crisis, another a late-life crisis, and the third, a far from ordinary no-life crisis. From David Frankel, the director of The Devil Wears Prada and Marley & Me, comes a sophisticated comedy about three friendly rivals who, tired of being ruled by obligations and responsibilities, dedicate a year of their lives to following their dreams. Their big year takes them on a cross-country journey of wild and life-changing adventures. courtesy of trailers.apple.com

Director: David Frankel
Cast: Steve Martin, Jack Black, Owen Wilson, Brian Dennehy, Rashida Jones, Rosamund Pike, Dianne Wiest

In Theaters: October 14th, 2012
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Screenplay: ‘It’s Complicated’

Want the screenplay for It’s Complicated?

Sure you do!

Click here for the script

This is why Steve Martin rocks

I’ve always loved Steve Martin. He is one of the best physical comedians ever. I really wish he would do more movies a-la The Jerk or even Parenthood.

He’s back in the news in a different way now. It seems a high school in Oregon decided to put on his play, Picasso at the Lapin Agile. Once the school board got wind of the subject matter in the play (drinking and sex talk), they quickly told the drama teacher to put the kibbosh on the scheduled show.

From EW:

The multi-hyphenate may have to add this title to his job description now that he’s helping Oregon-based La Grande High School perform his play after its school board canceled the production due to parents’ concerns over the play’s content. Martin, who wrote Picasso back in 1993, sent a letter to the La Grande Observer‘s editor, which was published in its paper Friday, describing his intent with the play and offering a proposal to the school’s director and his cast. “I will finance a non-profit, off-the-high-school campus production (low-budget, I hope!)…so that individuals outside the jurisdiction of the school board but within the guarantees of freedom of expression provided by the Constitution of the United States, can determine whether they will or will not see the play, even if they are under 18.”

According to the Observer‘s article on the decision, the school board’s superintendent canceled the show after a parent filed a complaint accompanied by a petition signed by 137 community members. The parents objected to the play’s bar locale and its sexual references. The play depicts an imaginary meeting between Pablo Picasso and Albert Einstein at the Lapin Agile bar in Montmartre, Paris. The comedy has been performed professionally all over the U.S. and in quite a few high schools and colleges, too. Said Martin in his letter, “I have heard that some in your community have characterized the play as ‘people drinking in bars, and treating women as sex objects.’ With apologies to William Shakespeare, this is like calling Hamlet a play about a castle.”

La Grande’s version of Picasso at the Lapin Agile will now be performed at the McKinsey Theater at Eastern Oregon University, May 16-18. Martin will not be able to attend. “His presence will be palpable even if he can’t come,” La Grande English teacher Kevin Cahill, the director of the play, tells EW. “We will leave a seat open to him in the middle of the front row.”

Here is the letter:

Of arts and sciences
Written by Steve Martin March 13, 2009 04:07 pm

To the citizens of La Grande:

It has come to my attention that there is a controversy regarding my play, “Picasso at the Lapin Agile,” which was to be produced at your local high school.

First let me compliment Mr. Kevin Cahill, the teacher who selected the play, on his excellent taste! The play has been performed, without incident, all over the world by professional and amateur companies, including many high schools.
Because I don’t know the standards of your community or the life experience of your students, it is impossible for me to address whether my play is appropriate to be performed on campus, although in the limited web exchanges I have read, the students, and the eloquent Mr. Cahill, seem to understand the play and can discern that the questionable behavior sometimes evident in the play is not endorsed.

I have heard that some in your community have characterized the play as “people drinking in bars, and treating women as sex objects.” With apologies to William Shakespeare, this is like calling Hamlet a play about a castle. This play is set in an actual bar in Paris that was frequented by Picasso, a historical site that still exists today.

Focusing on Einstein’s Special Theory of Relativity and Picasso’s master painting, “Les Demoiselles d’Avignon,” the play attempts to explain, in a light-hearted way, the similarity of the creative process involved in great leaps of imagination in art and science. Pablo Picasso, as a historical figure, does not come gift-wrapped for the sensitive. He lived as he painted, fully sexual and fully daring, and in the play he is chastised by a sage bartendress for his cavalier behavior toward women.

Because of the controversy, I recently reread the play, and, frankly, I could understand how some parents might object to certain lines if they were to be delivered by a 16- or 17-year-old. Yet I do believe that the spirit of the play and its endorsement of the arts and sciences are appropriate for young eyes and minds.

So while the question of whether students should perform the play at their high school remains something to be determined by the community, I firmly believe that seeing the play will bring no harm to them and might well uplift them — and acting in the play, if they are permitted by their parents, would also bring them no harm, and may help them to understand the potency, power and beauty of the arts and sciences.

I suspect that the signers of the petition against the production read excerpts only, and were not shown the more delicate and inspirational parts of the script.

To prevent the play from acquiring a reputation it does not deserve, I would like to offer this proposal: I will finance a non-profit, off-high school campus production (low-budget, I hope!), supervised and/or directed by Mr. Cahill and cast at his discretion, so that individuals, outside the jurisdiction of the school board but within the guarantees of freedom of expression provided by the Constitution of the United States, can determine whether they will or will not see the play, even if they are under 18.

I predict that the experience will not be damaging, but meaningful.

Steve Martin wrote the play “Picasso at the Lapin Agile.’’ He is an actor and comedian.

By the way, I’m in the middle of Steve Martin’s book, Born Standing Up and it’s great! If you want to relive his rise to stand-up stardom, you really should read his book.