You Are Your Own Channel – Stay Plugged In!

Written by Anthony Meindl

Start with yourself.

If you start anywhere else, it’s a false start and you’ll just be forced to go back to the starting line and begin again. And again. (Sort of like USAIN BOLT false-starting & being DQ’d at the World Track & Field Championships yesterday.)

Starting with yourself means finding the place within you that is not influenced by outside forces. It’s not affected by what other people say or do. It’s not discouraged by people wanting to stop you. It’s not even concerned with the negative things you say about yourself, which come from the conditioned part of our left brain.

When I was in my 20’s I spent a great amount of time running away from who I was; always trying to be someone else: wanting to be liked, or popular, or cool, or attractive.
But no matter how hard I tried to avoid myself, I kept coming back to me. By my 30’s I realized that who I was – who we all are – is the thing we keep looking for somewhere else.

In someone else.

Our essential Self (which makes each of us unique) is the part of us that is connected to something bigger than our egos. It’s like you are one of those limitless channels, plugged into the TV.   Read more

Kate Winslet on Nude Scenes: “It’s a profoundly bizarre thing to do”

I can’t tell you how many males my age or younger have told me that seeing Kate Winslet topless in Titanic was the first time they saw a nude woman in a movie. 

If you can say the same, I guess you’re pretty lucky that your first glimpse of a naked woman in a movie happened to be the beautiful Kate Winslet. 

As a result the Titanic scene has achieved a kind of iconic status, but that wasn’t even Winslet’s first time baring herself on screen: she first appeared topless in 1994′s Heavenly Creatures and has in several other films since. 

So it’s a bit surprising to find out that in an interview with V Magazine that Winslet doesn’t even like nude scenes in movies! 

She explains, “I hate it! Listen make no mistake, I just get on it.  I just go in and say ‘Oh f*ck’ let’s do it.’ and boom. If you complain about it or procrastinate it’s not going to go away. Its [sic] a profoundly bizarre thing to do. As actors you talk about it all the time. You can literally be tangled in sheets, and you turn to the other actor and say ‘What the f*ck are we doing?’ Dear Mum, at work today I had so-and-so’s left nut sack pressed against my cheek. It’s sort of unethical if you think about it in those terms.”  Yes, I certainly imagine that having someone’s nut sack pressed against you could make it a bad day at work.   Read more

How To Use ‘Google Alerts’ To Help Your Acting Career

Written by Sean Pratt

Actors are constantly trying to stay abreast of what’s going on in their neck of the woods; the continuous search for the essential who, what, when, where, how, and why of the Biz. It could be a theatre in town you’re dying to perform at, a certain director you’d like to work with or what new projects are coming to your area. Your local Yahoo Group or actor list serve will list auditions, classes, and some general news, but the special kind of information you need is not going to get posted there. What you should be using is the free web tool, Google Alerts, to gather the specific data you need. Here’s how it works and why it’s so important.

Basic Facts About Data Mining

First, a definition. Data mining is The automatic extraction of useful, often previously unknown information from large databases or data sets.

Google Alerts is a data mining tool that lets you create your own customized search engine to keep track of any name, keyword or phrase. On a daily or weekly basis it will then notify you when it finds any new information, along with a link to the corresponding webpage. So now, instead of trying to gather information concerning all the people, places and things you’ve deemed vital to your career from many different sources, you can create a series of Google Alerts and economize your efforts and time.

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Edward Norton, Tim Blake Nelson on their film, “Leaves Of Grass”

Podcast: Play in new window | Download (Duration: 30:55 — 21.2MB)

Edward Norton playing twins in a movie that’s directed by Tim Blake Nelson? How could that not be great?

And guess what? Leaves Of Grass is great! Edward Norton plays twins Brady and Bill. Brady is a small-time pot grower and Bill is an Ivy league professor. Tim Blake Nelson who also wrote the film plays Brady’s redneck friend Bolger.

I saw the premiere at SXSW and the movie is funny, violent and at times, you have no idea where the story is going to take you, which for me, makes the film.

This was another roundtable interview (my question is here) and the interview ran longer than most, so I’ve cut it down a bit. If you want the whole interview, you can listen/download the whole conversation above or click here for iTunes.

On a side note: I’ve been interviewing people for a while now and I have to say, Tim Blake Nelson is truly one of the nicest guys around. The day after this interview, I was in the hotel lobby when Tim and I saw each other. He said, “Hi” and we started to have this 5 minute long conversation. It wasn’t anything about his movie… just a normal conversation… about BBQ. You gotta love SXSW.

Tim, I was wondering as actor and as a filmmaker do you involve yourself with films that act as a corrective and not go straight towards the stereotypical easy laugh?

Tim Blake Nelson: Yeah, I certainly do.  I do grow tired of intelligence having such a limited manifestation in movies.  And so when I wrote this I knew immediately that the wisest and smartest characters, two characters in the movie in this movie would be the ones who either remained in Oklahoma or returned there.  So, the smartest guy in the movie is Brady.  I think that’s evident and it’s also stated by the mother.  And the wisest character is Keri Russell’s character, and she’s chosen to return and write in Oklahoma, and I think she gives the Bill character the wisdom that allows him to begin to move forward in his life as it’s collapsing around him.  So, in answer to your question, I was eager to debunk certain stereotypes about Southern characters in this movie.

This question is for both of you and it has to do with that obviously to believe in the duality of it you have to have this suspension of disbelief, and I’d like to hear from you how you achieved it through filmmaking and how you achieved it through your acting.

Tim: Yeah, suspension of disbelief in a story like this is pretty essential, although that said, I think you have to be responsible to your story as a storyteller.  To make it feasible enough, and I hope that this story is feasible enough.  There are details peppered throughout that I didn’t want to bang the audience over the head with it.  I mean, an obvious question would be well, hang on, wouldn’t folks know they were twins, but they didn’t grow up in Ida Belle, in the Ida Belle, Broken Bow area.  They grew up in another town, Hugo.  And Brady is moved to Ida Belle.  But these stories are all far-fetched, but the antecedent material for the movie, like in Menander and Plautus and Shakespeare, you know, it’s a retelling of a twins genre.  And the main character in the movie is a classicist, and so that’s all very intentional.  It’s meant to reflect on those earlier works.  The character, Bill, has done a translation of Plautus’ play The Menaechmi, which is a Roman twins play.  And so suspension of disbelief and that whole question is part of the fun of the movie.  Alright and now he’s going got say thanks for referencing Menander (laughter).

Edward Norton:  Well, no, actually I was going to say that any questions I had about whether a redneck from Oklahoma could actually go and become a Brown classical philosophy professor were ended when I met Tim because I think as you can see one conversation with Tim and you kind of realize, ‘Oh, Bill is a believable character.’

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Why Actors Need Websites – 6 Money Saving Tips

Imagine this: You are in your car (or walking to the subway) and you suddenly get a call from a casting director. They are interested in submitting you for an upcoming project, but need to forward your headshot & resume to the director within the next 30 minutes. You’re not at your computer, so you cannot email your materials to them. And you’re nowhere near their office, so you cannot just drop by with a physical copy of your headshot/resume. What can you do?

Or, imagine this: You are networking at an event (like the Tribeca Film Festival) and you have met so many people that you have handed out your last copy of your reel. You run into an agent who has seen you on stage, but comments that he would like to see your film work. He asks if you have a reel to give him. Sadly, you don’t, and it will be at least a week until you can get more duplicates made. What now?

If you are a business-minded actor, you would have a website and neither case would have been a problem! You could simply tell the casting director, “Drop by my website, where you can download a copy of my headshot and resume, both formatted for printing.” And for the agent, you would be able to say, “Here’s my website. Not only do I have my reel posted, but I also have clips from a few of the other projects I have done, including some singing and a few commercials.”

Having a website is one of the most important promotional tools an actor can have, second only to a good headshot. A website allows you to provide interested parties with a more full look at your body of work, your personality, and the way you run your business. And it allows them to do it in their own time, at their pace and leisure, which is vitally important in the larger, more competitive markets. The easier you can make it for a CD/agent to get to know you, the better chance you have of making an impact with them.

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Top 11 Reputable Casting Websites

One of the things that can get me incensed as a career coach is when casting websites pop up promising to give actors access to stardom. Some sites make it sounds like an actor’s big break is just around the corner, and all they need to do is pay a fee and they’re in! But most actors know that success comes with good training, strong relationship building, and the ability & wherewithal to seize an opportunity when it presents itself (also known as tenacity.) The trouble is, even the smartest actor has heard at least one rags-to-riches story, and the allure of a quick win sometimes overshadows common sense.

So, to combat the many unscrupulous characters baiting actors with empty promises, below you’ll find are 11 of my favorite reputable websites where casting notices can be found.

Actors Access
Backstage
Actors Equity Casting Call
Playbill
SAG Indie
Now Casting
Casting Networks/LACasting.com
Casting Networks/NYCasting.com
NYCastings.com
Mandy.com
Craigslist

Any of the others not listed here typically have the same notices that are on the above sites. If you are in LA or NY, I would caution you if paying to use any website other than these listed- it probably wouldn’t be worth the money. Of course, there are exceptions and I am sure a new website will come along and blow away the competition. But as of now, the above sites are the most reputable for those in the major markets.

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Marketing Yourself As An Actor – Video

Here’s another video from SAG, this time its all about marketing yourself.

It’s not great but there is some good info in here. The whole video is basically a huge plug for two of the guests that appear on the panel.

This isn’t a must watch but if you have the time, why not.

A Motivating Kick in the Pants

Just a few words of wisdom (stolen from a well known marketing campaign) … Just Do It. Put away the excuses. Put away the what-ifs. Put away the “when the weather is nicer and I have more energy.” The time is now. There will never be the perfect time, or the easy time, or the time when all of the pieces will line up exactly the way we want them to. So…

Just Do It.

So, I thought I would help address some of the common excuses we actors tell ourselves so I can help break that cycle:

Beware Unsolicited Offers of Stardom

This week, I have decided to tackle a very hot topic, which has spurned lots of debate by industry insiders and actors alike: Unsolicited Offers of Fame and Requests for Partnership.

To give you some background on this topic, I am going to start by sharing an email I recently received from a “manager.” (Note: All grammar and spelling has been included, as originally written.)

I was looking on IMDB and noticed you do not have a Talent Manager.  As you may  know we are doing Talent Management..  A manager is different from an agent but in a way better as I have more fields to get you work.  I feel I could be a great assett to you to help you not only get your more acting roles but we are doing something no other Management firm does.  We are also going to provide free to our clients our Publicity Services.  We are a NON-EXCLUSIVE company so if at anytime you want to end services with us that is ok.  I really hope you will give me a chance to further your career and make you more money.  If you are interested please let me know and I’ll send you my information packate. – Mike

File this one away into the “If it seems too good to be true, it is” mailbox. Of course, there are warning signs all over the above email that tell the actor that they should stay far away. So, how does an actor gauge the validity of these types of emails, which become numerous as the actor gets more and more well known?

1) Does the manager know the difference between managers and agents? (Do you?)

Agents and managers are very different from one another, primarily because it is illegal for managers to procure work for their clients. Agents are required to be on file with their state as a “licensed employment agent” and managers are not given this clearance. Thus, a manager’s job takes on a different form. Directly from the Talent Manager’s Association website: “A manager, by nature, does not seek employment for a client, but rather council, market and network on their behalf making it easier for the agent to secure employment. A client, manager and agent should function as a team.”

You can see by the email above that the manager is not accurately conveying his role. This should be a very big “red flag” to you.

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2010 Tony Nominations

 

BEST PLAY:

In the Next Room by Sarah Ruhl

Next Fall by Geoffrey Nauffts

Red by John Logan

Time Stands Still by Donald Margulies

BEST MUSICAL:

American Idiot

Fela!

Memphis

Million Dollar Quartet

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