Let’s Get You Prepared For Your Audition! Auditioning can be nerve-wracking. Trust me, I know. I’ve probably auditioned for a thousand things by now; commercials and theatre to TV and film. I’ve done really well on a lot them and to be honest, I’ve walked away sometimes stinking up the
Audition Preparation & Self-Tape Reader Read More »
“For maybe six seasons we would always work together on the weekend and building our chemistry has always been a focus of ours for our performances” – Emily Deschanel on working with David Boreanaz
Emily Deschanel on ‘Bones’, Favorite Episodes and Building Chemistry Between Actors Read More »
“There were a few years here and there that were more stagnant, but in some ways it’s the times when you’re not working that you appreciate work all the more.” – Elijah Wood
Elijah Wood: “I marvel at the fact that I’m 34 and still working” Read More »
“For me things that didn’t happen quickly. It’s been a long process but it’s definitely been a fulfilling journey in the last year getting to do so much great work.” – Ray Donovan’s Christy Williams
Ray Donovan’s Christy Williams on Working with Jon Voight and a “Bear” of an Audition Read More »
“Well, you just deal with all the fear that’s telling you that you’re not going to be capable of doing this.” – Jason Segel on The End of the Tour
“Always follow your dreams, no matter how big they might seem!” – Paris Smith’s Advice to Young Actors
Paris Smith on ‘Every Witch Way’, Her First Acting Role and Advice for Young Actors Read More »
“The casting director for NYPD Blue liked my British accent, but was put off when I revealed that I was actually just a California boy.” – James Franco
James Franco on Working at McDonald’s and His Days as a Struggling Young Actor Read More »
“Oh, I always get nervous. The jitters always come and the heart rate always speeds up.” – Max Adler on Auditioning
“I’m a lifer actor,” James Tupper told me. “I went to drama school and got a Master’s. I did the way of the less talented. I had to just find a way to keep it going where I could really break in.”
“There’s no tricks. It’s very open, it’s very stripped down, it’s playing with the truth and without emotional truth no scene works” – Leland Orser
