He spoke to The New York Times about taking on the famous role, how his life has paralleled Rocky’s, and what it’s like to get slugged on stage.
Karl admits that the plot of Rocky inspired him to try out for the Broadway role after years of never opening a show as a lead actor. He recalls, “Something came to me. It’s like: ‘You’re either going to sit here and whine about it and let it slip through your fingers, or you’re going to stand up to the challenge. And if you don’t get this role, at least you fought with everything you could to have it.'”
While he learned the script and songs and went through physical training he insisted to himself that it was all worth it. He explains, “I kept telling myself, like a mantra: ‘I’m going to do this. This is going to happen.'” Through it all, Karl identified with the struggle of Rocky as a character. He adds, “His life is all about pain, cleaning up the bruises. I found that out for myself in training for the show. There’s so much pain involved, and you have to reach beyond that pain.”
In particular, one of the challenges of the musical is that during the boxing scenes the blows that Karl receives from his opponents aren’t typical stage punches. He reveals, “There’s ways in which you do this full-contact boxing that are safe but also dramatic. We want the audience to feel engrossed.” Still, he admits, “I’m suffering for my art.”
In fact, during one rehearsal Karl took a rough hit to the head. However, he refused to call it a day and returned to the scene after applying an icepack. The situation fit into Karl’s insistence on remaining tough through the challenges he faces. He explains, “I felt like more of a man. I know how to take a punch. I know what it feels like. I’m not afraid of the gloves coming at me.”
Karl better be prepared for the gloves coming at him when the musical gets seen by more critics and audiences. The first preview performance of Rocky was pushed back to February 13 from February 11, though the show will still open on March 13 as planned.