Rutina Wesley talks about her career, training and working with Anna Paquin

Did you watch the first season of HBO‘s True Blood? I loved it and totally can’t wait for the upcoming season.

True Blood was the first time I’d ever seen Rutina Wesley. I have to admit, at first I wasn’t too sure about her but as the season progressed she grew on me.

From Movieline:
Speaking of Juilliard, you went there around the same time as Nelsan Ellis, who plays your flamboyant brother Lafayette on True Blood. Did you know each other at school?
We did. He was a year above me at Juilliard, and we actually became good friends. So for me, coming onto the show already knowing someone was very comforting, since I came in after the pilot.

You were replacing Brooke Kerr, who was originally cast as Tara. What was that process like?
You know, in this business, these things happen all the time — and it’s unfortunate, because I’ve been on the other side as well. When this came my way, I just took it as sort of a blessing that it must have been meant for me at this time. You know, it cuts both ways…no one wants to lose a job, but everybody wants to work.

They must have had a very specific take on the character to recast her and make her so different from the Tara in the novels. Did they share that vision with you?
[True Blood creator] Alan Ball was on NPR’s Fresh Air and he said some things about how he saw the characters, and I think he just liked what I brought to her. When I got the sides, I related to Tara on a level that hit very close to home for me. When I went in there, I played her very vulnerable and tried to take the anger down a notch so that you could see right through it. She’s just this little flower, this wounded child that needs to be taken care of. And that’s where the mouth is coming from, and all that quickfire language.

You’ve got a pretty eclectic resume so far: True Blood, a role in the Sam Mendes production of The Vertical Hour on Broadway, the lead in the hip-hop dance movie How She Move….
If I’m going to be honest with you, when I trained at school, I feel like I was training to be a chameleon. I want to be that versatile actor who can do anything — that’s why you learn fifty different dialects, you do Shakespeare, you do commedia, you do it all so that if any job comes your way, you should be able to do it.

How does your approach to acting, where you’ve been studying it for years, contrast with Anna Paquin’s, who’s simply been in the industry since she was a child?
I learn a lot from Anna because she’s learned by doing. You can’t always come in so prepared that your choices become stale, so from her I learn how to sometimes just forget about all the tools that I have, just put ‘em in a bag and stuff it in the closet, and just go on set and play. Watching Anna and other people who haven’t gone to school, they have this sense of freedom and this knowledge of the camera that I don’t have yet. It’s actually amazing watching her work. She knows every angle, how to position herself, all these things you learn over time that you don’t necessarily find out at school. At Julliard, they don’t teach you where to move your face for the camera, you know?

Are you going to sign the SAG Online Statement of Support?

Dear Screen Actors Guild Member,

By now you should have received your ballot for SAG’s tentative TV/Theatrical agreements. Don’t forget to visit the contract center at SAG.org to read the tentative agreement and ballot materials so that you can cast an informed vote. Also, take a moment to sign our new contract statement of support online.

You can also review the list of members who have already signed on to show their wholehearted recommendation of a YES vote on this contract, such as Adam Arkin, Amy Brenneman, George Clooney, Jack Coleman, Stephen Collins, Peter Coyote, Mike Farrell, Sally Field, Tom Hanks, Rob Lowe, Wendie Malick, Camryn Manheim, Ian McShane, Kate Walsh and Mykelti Williamson, to name a few.

SAG negotiators have delivered a solid contract and your National Board of Directors recommends you VOTE YES. As you will see, the agreement provides important financial gains for members across the country, including a 6.5% increase in wages, additional union jobs for background actors in television programs and motion pictures, increases in major role performer payments, and first time ever payments for programs streamed on the Internet. And we have affirmed our jurisdiction in New Media, which not only creates more work opportunities for SAG members but also ensures our foothold in future negotiations as this area of work continues to evolve. That your negotiators were able to accomplish all that given our current economy makes this contract nothing short of remarkable!

This is the Right Deal at the Right Time. It gets us moving forward again. Many of your fellow members have created video messages explaining why they are voting YES. You can view them on the SAG.org homepage or here. While you’re at SAG TV, we hope you’ll also watch our other videos on the contract campaign or visit our YouTube channel.

Your Vote Matters! It’s vital that you return your ballot NOW. SAG’s Contract Center is your online resource for information about the tentative agreement. Once you’ve read it over and voted, mail your ballot right away. It must be received at the assigned post office box in Everett, Washington by Tuesday, June 9, at 5 p.m. (PDT).

For more information call the National TV/Theatrical Contracts Hotline (323) 549-6665 or email contract2009@sag.org.

Thank you for your support and for your dedication to your fellow members.

In unity,
Screen Actors Guild

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